Nile Rodgers played guitar on the new Daft Punk single, but decades before that he launched a string of hits with the group Chic, including "Le Freak" and "Good Times", and went on to become a songwriting and producing superstar. He was behind Diana Ross' "I'm Coming Out", David Bowie's "Let's Dance", Madonna's "Like a Virgin" and many more. Now, he reflects on decades of hit writing, collaborating, and the meaning of music in his life.
This interview originally aired in November 2011. Show notes
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Wow, as I was almost going to sleep listening to that Downton Abby interview, I was pleasantly surprised to hear such an NPR-ish podcast come with it talking about 40-Water. When people say public radio is stiff, white and liberal, it's a decided lack of this type of material that creates that public image. More exposure to American subcultures would make a 'Gargantic' difference in keeping what talk radio shows relevant and alive.
And pardon my hyperbolic deference to Downton Abby, I like it... not as much as Luther, but I understand Luther wasn't an Emmy winning, Producer's guild nominated show. But what do they know... I just like Luther and E-40 better. =) Keep up the good work, "Bullseye."
Comments
Is Public Radio trying to "Keep it real"?
Wow, as I was almost going to sleep listening to that Downton Abby interview, I was pleasantly surprised to hear such an NPR-ish podcast come with it talking about 40-Water. When people say public radio is stiff, white and liberal, it's a decided lack of this type of material that creates that public image. More exposure to American subcultures would make a 'Gargantic' difference in keeping what talk radio shows relevant and alive.
And pardon my hyperbolic deference to Downton Abby, I like it... not as much as Luther, but I understand Luther wasn't an Emmy winning, Producer's guild nominated show. But what do they know... I just like Luther and E-40 better. =) Keep up the good work, "Bullseye."
Moe