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Friday, February 17, 2006

A Manifesto for The New Sincerity




Word came down from America's commentary class around September 13th, 2001. Irony was dead. In what would come to be called "The Post 9-11 World," there would be no room for that particularly distasteful form of discourse. It was to be replaced by soft, sweet sincerity. Somewhere, an eagle shed a single tear.

Of course, reports of irony's death were greatly exaggerated. A few weeks after the tragedy, irony made a heroic, if modest, resurgence. Great exemplars of the form like The Onion and Jon Stewart went back to their grindstones. Hipsters in Williamsburgh, Brooklyn slapped on their Roos and drowned what was left of their trauma in Pabst Blue Ribbon. Within two years, America was watching The Simple Life and basking in contempt.

The great irony of all this is that the pundits and prognosticators who declared irony dead three years ago were absolutely right. Irony is dead. Their account of it's death, however, was greatly flawed. Irony died not in a fiery explosion, but slowly, quietly, of old age. And it wasn't replaced by a return of the old guard. This time around, there�s a new cultural paradigm, itching to get in the ballgame.

This radical new ethos has a name. It's called: The New Sincerity.

What is The New Sincerity? Think of it as irony and sincerity combined like Voltron, to form a new movement of astonishing power. Or think of it as the absence of irony and sincerity, where less is (obviously) more. If those strain the brain, just think of Evel Knievel.

Let's be frank. There's no way to appreciate Evel Knievel literally. Evel is the kind of man who defies even fiction, because the reality is too over the top. Here is a man in a red-white-and-blue leather jumpsuit, driving some kind of rocket car. A man who achieved fame and fortune jumping over things. Here is a real man who feels at home as Spidey on the cover of a comic book. Simply put, Evel Knievel boggles the mind.

But by the same token, he isn't to be taken ironically, either. The fact of the matter is that Evel is, in a word, awesome. His jumpsuit looks great. His stunts were amazing. As he once said of his own life: "I've had every airplane, every ship, every yacht, every racehorse, every diamond, and probably, with the exception of two or three, every woman I wanted in my lifetime. I've lived a better life than any king or prince or president." And as patently ridiculous as those words are, they're pretty much true.

So now, dear reader, you're in on the Next Big Thing. Something more Hedwig than Rocky Horror; more Princess Bride than Last Unicorn; more Bruce Lee than Chuck Norris. Something new, and beautiful. So join us.

Our greeting: a double thumbs-up. Our credo: "Be More Awesome." Our lifestyle: "Maximum Fun." Throw caution to the wind, friend, and live The New Sincerity.

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5 Comments:

Blogger dockcurrie said...

Ok, I can't beleive people haven't commented on this - ostensibly the manifesto of a philosophy thats looking, to me, to be the best dagger for the heart of post-modernism.

First of all, the whole idea is kind of silly, which isn't to say its wrong, malformed, or bad. It is though, in full, just an arch backed defence of Guy Debord's theories.

Constructed situations of a more passional nature? That idea is fucking old hat, boys.

What does New Sincerity bring to the table? Well, first, it responds to those who criticize situationism with "well, if you are constructing situations . . . then isn't the feelings you get from that inauthentic." With, basically,

No. No they're not.

Not much to it, it should be implicit in a good discussion about situationism.

But moreover, and I think this is the more interesting aspect. It accuses Post Modernism as being Kitch.

Take, for example, the film "you and me and everyone we know" as the posterfilm for New Sincerity.

That film portrays the shit of life in an unironic way, it celebrates it. And, in doing so, it makes Post Modernism look like Kitch.

It is Kitch. I think it should be institutionalized as a tenet of New Sincerity that post modernism is Kitch. Post modernism attempts to either hide the shit of life or represent it ironically when it, in actuality, isn't bad or ironic, but neutral.

People make a case for Wes Anderson being a New Sincerity director. I refute this, from my modest podium of being interested in New Sincerity, on the basis that he has less ability to portray a real interchange of charachter than an average gilmore girls episode. And thats not to say that I don't like Wes Anderson, I do.

But he is only New Sincere in that his movies usually have one romantic/byronic hero who interacts with deadpan external charachters who eventually realise that the main charachter is right, as opposed to the main charachter realising he is wrong.

He is New Sincere in that he represents a charachter, who most would consider a bad person, as just a person. And, at least in so far as he is New Sincere, being just a person is Ok.

The point at which Wes Anderson is Not New Sincere is that he lacks the ability to portray dialogue and dialectic as it would actually occur in the real world. Simple as that. Its too polished, and formulative. . . which is pleasant to watch, but its kitch in that it hides the shit of the world. Shit in this case being poor phrasing, meandering, non comedic stuttering, ect.

I'm interested to see where this all heads. I'm not much of a preformativist but I could see getting on board with New Sincerity. It just needs to be fleshed out a bit

Dock Currie,
SFU philosophy
Opinions Editor, www.peak.sfu.ca

March 26, 2006 4:49 PM  
Blogger Jesse Thorn said...

The New Sincerity shares a lot with situationism, but since TNS is all about fun, it's also quite different from situationism. TNS is not opposed to creating a situation for fun to occur, but it is opposed to, you know, trying to start riots.

Also, I don't particularly think that Me, You & Everyone We Know was TNS, because it wasn't that fun. Real New Sincerity is bigger and better than Old Sincerity.

Although it was pretty cool when they said, "Back and forth... forever."

March 26, 2006 5:25 PM  
Anonymous Ben Mohr said...

OK, I'm not a very smart person - a kayak guide in Alaska whose major in college was, well, essentially sea kayaking and camping. However, I must (MUST!) post my support for the New Sincerity.
In a recent discussion around the shop, it was agreed that the credo "Be More Awesome" is just that: awesome. That the pursuit of maximum fun as a lifestyle should be so ground-breaking is suprising to me. Maximum fun has never brought me fame, and I am far from fortune, but the intangibles of maxumim fun will always be with me.
An evening watching the sun set beneath 5,000 foot peaks that rise from the sea, tobacco pipe in one hand, wilderness literature (Snyder's "The Practice of the Wild") in the other - this could be the scene of tranquility in any major motion picture. It is, however, a life built on the New Sincerity.
Different from the hedonism that many in my field pursue, TNS means maximum fun for everyone. It means stopping to appreciate the view alongside the tourists, even though we see it every day. It means (as the boy wonder said) that if she likes ham sandwiches, I seek out the finest ham to be had between bread and bring it to her. The New Sincerity has no problem laughing out loud to the comics section in the newspaper - even in public.
However, do not misunderstand the New Sincerity as the philosophy of doe-eyed romantics. There is a strong side to the New Sinerity as well. The New Sincerity (in my eyes) says that wrongs must be confronted, made right, and in rightness enjoyed. Maximum Fun cannot be had at the expense others suffering.
Recalling Evel Knieval - he is over the top, amazing. One cannot believe that he is what he is, and that he does what he does. But not only is he insanely awesome, it is easy to believe that he would stand up to any thug crossing the line from awesome to freaking lame.
Not only does the New Sincerity have a big heart, it comes with backbone like John Wayne. Yet another dimension in the awesomeness of the New Sincerity.
I can't track with half the stuff Dock said above, philisophical arguments and all (who the hell is Guy Debord?), but I do know this: Above all, TNS should be fun, awesome, and lived without regret.
Thanks for the time friends.
Ben Mohr
Anchorage, AK

June 04, 2006 12:57 AM  
Blogger les filles mignons said...

I believe the New Sincerity ethos is, as countercultures go, one whose time has come. Leave irony to the French. The New Sincerity is certainly more American. There's a certain comfort to be found in it, in a post 9/11 world. Our tastes have become deadened to the navel-gazing, jadedness of the ironic. Kitsch is new again, a nostalgia for all things simple and silly and upfront so refreshing. Maybe that's why there's a new delineation between the Seinfeld generation and STELLA fans.

July 28, 2006 5:41 AM  
Anonymous Janet said...

My friends and I were talking about the New Sincerity all summer, and the more we discussed the more we realized how much of our lives were already intertwined with its philosophy. We toast the New Sincerity on our Micky Malt Liquor Mondays.

April 22, 2007 2:11 PM  

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