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Tuesday, March 21, 2006

The Office's Greg Daniels


Greg Daniels is the Executive Producer of The Office on NBC, which is the funniest show on television right now, and in my book, the best sitcom since Seinfeld (really? yeah, I'm pretty sure). There's a very interesting chat with him up on the Washington Post's website.
Greg Daniels: It was hard to adapt this show because the British series is so perfectly executed and tailored to Ricky G, who also co-wrote and co-directed it. The pilot was close to the British series because I adapted it before casting the American actors, and after casting I didn't want to open the whole process up to network notes. Once we got past the pilot though, we came up with new stories and wrote the first six. Then we shot the first six, and after that I edited the first six. It was after they were completed that we learned the most about what was working and how to tailor things more to Steve. By the time the second season started, we had also been blessed by Ricky and Stephen Merchant and the critics and the lovers of the English show, so some of the pressure was off and we could start to play around a little more.
Link

Thanks Jon!

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11 Comments:

Blogger Premo Vasquez said...

The best since Seinfeld? You really think it's THAT good? I think two sitcoms BETTER than Seinfeld have been on since, but The American Office isn't really up there. Any particular reasoning?

March 21, 2006 1:28 PM  
Blogger Jesse Thorn said...

Nope, it's totally unfounded. I just can't think of any better than it. Which two are you thinking of?

I should clarify that I mean since Seinfeld left, not since Seinfeld began.

March 21, 2006 1:33 PM  
Anonymous Josh said...

Arrested Development, anyone?

March 21, 2006 2:30 PM  
Blogger Jesse Thorn said...

More groundbreaking, yes. More differenter, yes. More potential, yes. Better, no.

It's a close call, but AD was very inconsistent in the latter half of season two and all of season three. I mean, it varied between very good and great, but...

March 21, 2006 2:33 PM  
Anonymous matt said...

The American Office is definitely good, but I don't really think it compares to the British version, which is one of the best sitcoms ever.

March 21, 2006 2:55 PM  
Blogger Jesse Thorn said...

Well, I should have qualified my statement by saying American sitcom, but I don't see the original Office as a sitcom. It's more of a parody of the docu-soap genre. A traditional sitcom isn't serial, which the UK Office very much was. Also, it had the advantage of telling the love story in a very linear way, because it was closed-ended.

I would say that if I was picking the better show, it would go to the UK version, if I was picking the better sitcom, I'd pick the US version, which is situated much more firmly in the workplace sitcom context.

That said, both are brilliant, wonderful shows.

March 21, 2006 3:03 PM  
Blogger Premo Vasquez said...

Yeah, my picks were AD and the UK Office. I understand the problems with the last couple of seasons of Arrested, but I think the show hits so much that the few jokes that aren't as good as they once were that they're almost unnoticable. I think it's the most groundbreaking not just in format but in the sheer amount of jokes shoved in every episode. There are at least 100 moments made for laughter in each episode. Can that be said with any other show ever? The fact that 9 or 10 might be weaker than the others doesn't really matter after you've laughed about 90 times. I completely agree with you on the UK Office not really being a sitcom, but it still fits in that format more than any other and I think it's a much better show.

I don't want to sound like I hating on the US Office though. With Arrested off of the air (for now), it's easily the best comedy on TV. It's just I think those shows I mentioned are on a much higher level than this Office is right now.

March 21, 2006 4:45 PM  
Anonymous matt said...

I get what you're saying about the Offiuce (distinguished from the American show by the "u") not being a traditional sitcom, but I can say with the full authority of the DVD extras that Gervais and Merchant conceived it as a sitcom. The mockumentary angle was added to justify not filming it in front of an audience, and to emphasize the self-conscious kind of atmosphere they wanted. I think, in turn, the coherent, evenly paced plot was a result of the show's deliberately short run. American sitcoms are always made to last, and when they have a serialized plot, it's stretched out to agonizing lengths. If it is resolved, it usually kills the show, albeit after another limp, gangrenous season or two. See Frasier.

March 21, 2006 7:35 PM  
Blogger Jesse Thorn said...

Yeah... I mean, I see one of the basic qualities of the sitcom as everything returning to normal at the end of the episode. That resolution.

March 21, 2006 7:48 PM  
Blogger Jeff T said...

I can think of at least two post-Seinfeld sitcoms better then the US Office. Peep Show and Spaced.

God save the Queen.

March 22, 2006 5:47 AM  
Blogger Jesse Thorn said...

Socialist.

March 22, 2006 7:45 AM  

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