Sleater-Kinney is one of the most-loved indie bands of the past two decades. The band formed in the latter days of the riot grrrl movement in Olympia, Washington, and found an intense following. They were fierce, and they let their ideas "fill the room".
After recording eight albums and tons of touring, they went on hiatus. The band's members pursued other musical and creative projects, but there was a nagging question -- what would it be like if Sleater-Kinney returned?
In January of this year, the band released a new record called No Cities to Love. It had been nearly a decade since their last LP.
Corin Tucker, the group's co-founder, joins us to talk about soaking up the punk and riot grrrl scenes of the early 1990s, finding her voice, and why Sleater-Kinney returned.
Kyle Kinane lives every day as if his good luck is about to run out. Or at least, what he considers to be good luck. Kinane has worked hard refining his stand up comedy for fifteen years and taken the leap from Chicago to Los Angeles to further his career, but part of him still can't believe he gets paid to tell jokes.
His comedy is often a special brand of self-deprecation. So many of his jokes are about him messing up. Falling out of the shower. Literally throwing away money. But he says he finds the joy in these moments.
He joins us to talk about how he started out in stand up, measuring his success in comedy, and his life philosophy of "can, so should".
Kinane's just finishing up a round of tourdates in the Midwest (if you move fast, you can catch him this week in Ohio and Indiana). You can find all of his upcoming shows on his website, or check out I Liked His Old Stuff Better in audio and video format via Comedy Central.
Spend a few minutes watching Sesame Street, and you'll recognize some part of yourself in Big Bird. His kindness, curiosity and vulnerability resonate with everyone, young and old. But who brought Big Bird to life?
Caroll Spinney is the man inside the Big Bird suit, and he has been since 1969. (He's also Oscar the Grouch). Dave LaMattina is the co-director, along with Chad Walker, of new a documentary about Spinney. It's called I Am Big Bird: The Caroll Spinney Story.
Spinney made his television debut in 1955, working on the local Las Vegas show Rascal Rabbit, then moved on to the East Coast and performed on Bozo the Clown. But he was looking for greater purpose in his work, and he found it. He met Jim Henson and began work on the pioneering children's TV show, Sesame Street.
Spinney and LaMattina sit down to talk with us about Big Bird's physical and spiritual evolution, how the 80-year-old Spinney manages to maneuver in a full-body puppet suit, and how Big Bird has helped so many children and adults deal with loss, love and their own feelings.
The rapper Vince Staples is now 21 years old. As a teenager, he got jumped into a gang in Long Beach, where he’s from. He didn’t expect to become a rapper. And unlike some rappers, he doesn’t think street life is anything to brag about.
He's been fighting against his own upbringing and the gang culture that surrounded him since childhood, and his verses reflect that. He's released several well-received mixtapes, and he's continually outshone other rappers in guest verses on their own tracks.
Staples talks to us about growing up, why gang banging seemed like fate, and how he became a rapper.
His debut LP, Summertime '06 will be released by Def Jam on June 30th.
A different edit of this interview originally aired in June 2014.
The rapper and producer Big Boi has sold over 50 million records as a solo artist and as half of the platinum-selling hip hop duo OutKast. The innovative Atlanta-based group broke out in the mid-1990s with "Rosa Parks" and "Elevators", then followed up with crossover pop hits like "The Way You Move" and "Bombs Over Baghdad".
OutKast found huge commercial success with an experimental brand of hip hop, eschewing old-school samples in favor of new sounds. Big Boi has been the more musically prolific member of the group. He's gone on to produce several solo albums and collaborate with artists across the music spectrum, from fellow ATL-based rapper Ludacris to funk-master George Clinton to the indie rock band Wavves. His most recent release is called Vicious Lies & Dangerous Rumors.
Big Boi joins us to talk about the early days recording in an clay-walled basement, coming to terms with fame, and where to go musically when you've hit monumental commercial success.
Catherine O'Hara's work embodies a particularly special brand of comic absurdity. She helped launch SCTV alongside other burgeoning comedy greats like John Candy and Eugene Levy, quit the show, but still moved on to star in blockbuster comedies. She became spiritually possessed in Beetlejuice, played a memorable, anxiety-ridden mother to Macaulay Culkin in Home Alone, and became a critical part of Christopher Guest's ensemble mockumentaries, like Waiting for Guffman and Best in Show.
Most recently, she's starred in the sitcom Schitt's Creek with Chris Elliott and O'Hara's longtime collaborator Eugene Levy.
O'Hara talks to us about the difficulties of being a woman in the SCTV writers' room, creating memorable characters with her longtime friend and collaborator Eugene Levy, and her own secret comedic formula.
Guest host Erin Gibson sits down with the veteran actor Sam Elliott. He's currently starring in FX's Justified and co-stars in the new movie I'll See You In My Dreams with Blythe Danner.
He talks to us about being resistant to change, the ways in which his on-screen roles as cowboys and bikers do (and don't) mirror his real life, how the Coen brothers snagged him for The Big Lebowski, and his stint on Parks and Recreation.
Jesse sits down with comedy writer and producer Kay Cannon. She started off her TV career writing on 30 Rock, later moving on to write and executive produce New Girl. We're also pretty sure she's the first person to tackle the world of collegiate a cappella on the big screen in the screenplay for Pitch Perfect.
Cannon returned to that world to write the sequel, Pitch Perfect 2, which is in theaters this week.
She talks to us about why she sees Pitch Perfect as a sports movie (and not as a musical), coining new lingo for the world of a cappella singers, and honing her joke-writing at 30 Rock.
Forty-one years ago, James Burrows stepped on the set of The Mary Tyler Moore Show to direct an episode. It was his very first gig as a TV director. Since then, he co-created Cheers and became known as the go-to guy to direct your sitcom pilot. He's directed more than fifty pilot episodes, including those for Taxi, Frasier, Will & Grace, Friends, Two and a Half Men and The Big Bang Theory, and he adds more to his resume every season.
Burrows is the son of the famous playwright Abe Burrows, who wrote the book for Broadway musicals like Guys and Dolls and How to Succeed in Business Without Really Trying.
James Burrows will talk about creating his own career path on television, working with Andy Kaufman (and Andy's alter-ego Tony Clifton), brainstorming the elements that would become Cheers, and why he continues to direct.
Samuel Herring, the frontman for the synth-pop band Future Islands, grew up loving hip hop (as he still does).
But there's a rock song that helped him put him on the path to forming the band Future Islands with bandmate William Cashion. And that song is Joy Division's "Digital". It's the song that changed his life.
Future Islands just released two brand-new singles, and they're out on tour this summer and fall to promote their newest album, titled Singles.
When Kumail Nanjiani was a boy growing up in Karachi, Pakistan, he absorbed a lot of American culture. He loved Ghostbusters and Gremlins. He read MAD Magazine. And he knew that someday, he'd move to the U.S. What he never imagined is that he'd become a comedian.
His first exposure to stand up comedy was a Jerry Seinfeld HBO special, and a few short years later, Kumail was on stage himself. He's performed with The Second City, at the Upright Citizens Brigade theater, and on numerous late night shows.
He also co-hosts a stand up showcase, The Meltdown with Jonah and Kumail, and stars in HBO's Silicon Valley.
Kumail talks to us about growing up Pakistani, choosing a distinctly American way of life, and creating comedy about things you love, rather than things you hate.
When Willie Colón was a kid in the South Bronx, he and some his friends from the neighborhood would take their instruments and jam outside in the summers. His neighbors weren't too pleased, but they probably didn't know they had a budding talent in their midst. Willie went on to secure a record deal in his teens and then become a hugely influential musician and bandleader. His music is salsa: a blend of the Caribbean, Africa, South America and his native New York City.
His discography has now sold over thirty million records, and he's collaborated with legendary figures like Hector Lavoe, Celia Cruz and Ruben Blades.
Willie joins us to talk about his early success, how he envisions salsa, and his work with Hector Lavoe and Celia Cruz.
The writer, director and producer Paul Feig has developed a kind of reputation. His movies and TV shows often feature characters who are awkward and nerdy and trying to figure out their relationships to other people (see: Freaks and Geeks). They also often showcase hilarious women (see: Bridesmaids, The Heat). And now he's keeping the comedy, the feelings and relationships, and upping the stakes. His new series, Other Space, is about a crew on a spaceship stranded in a parallel universe.
We'll talk to Paul Feig about why he grew up wishing aliens would take him away, why he was so determined to bring female-lead comedy movies into the mainstream, and his plans for remaking the stuff of America's childhood -- from Ghostbusters, to Peanuts, to Play-Doh.
Paul Feig's series Other Space is available now on Yahoo! Screen.
For years, Reggie Osse (also known as Combat Jack) worked as a music industry lawyer, helping hip hop producers and artists broker deals.
He loved the music. But he reached a point where he didn't want to be the guy taking care of other people's careers. He had lots of creative ideas, but none of his clients wanted their lawyer's take on that stuff. So Osse decided to try doing something new for him: blogging about hip hop.
We'll talk about how he parlayed the blogging into an interview podcast called The Combat Jack Show, where he's interviewed artists and producers like J Cole, Common and Big Daddy Kane among many, many others.
Maybe you've heard our new sister podcast about culture, Pop Rocket. It’s hosted by a comic called Guy Branum. His new stand up album Effable was just released, so we thought this’d be a good opportunity to play you some of his set from last year’s Atlantic Ocean Comedy and Music Festival, AKA Boat Party dot Biz. So here’s the great Guy Branum, recorded live on a ship in the Caribbean.
It's time for Canonball. We take a leap into the deep end and talk to experts about classic albums -- or albums that should be considered classics -- and find out what makes them great.
This week, we’re joined by music historian and journalist Peter Guralnick. He's written about rock, soul and blues musicians for decades, profiling Muddy Waters, Howlin' Wolf, Sam Cooke, and Elvis among dozens of others.
But for our segment, he chose a record that captures what he loves about live music. It was recorded by the ethnomusicologist Harry Oster in the late 50s and early 60s, and it was released on as Country Negro Jam Sessions. (Please excuse the anachronistic title).
Several of Peter's books, including his acclaimed biography of Elvis, are now reissued with video and audio in e-book format. You can find more at PeterGuralnick.com.
For most of the past fifteen years, Tom Scharpling has hosted a free-form comedy show called The Best Show. It began on the New Jersey community radio station WFMU, and it grew into its own universe. That universe includes regular calls in character from Scharpling's comedy partner Jon Wurster, and a thriving community of listeners and callers.
A few years ago, the show moved from its home on the radio to a new home on the internet, where it still streams each Tuesday evening night and podcasts every week.
Tom Scharpling joined us to talk about his on-air personality, his community of listeners, and the creation of The Best Show's aesthetic.
Sara Schaefer is a comedian, writer and performer who's appeared on @Midnight, Late Night with Jimmy Fallon, Best Week Ever, and Inside Amy Schumer. You may have also seen her work with her comedy partner Nikki Glaser on MTV's Nikki and Sara Live.
On her new stand up album, she shared a memory of her treasured middle school years.
By the time The Police released "Roxanne", their first single from their debut album in 1978, guitarist Andy Summers had gone through several phases of his career. By sixteen, he was playing in local clubs and in short order he was playing with the London-based R&B group, Zoot Money's Big Roll Band. That group evolved into a psychedelic rock band in the late 1960s. Summers played a brief American tour with The Soft Machine, then rejoined Zoot Money to play with a new incarnation of The Animals before finally taking a break.
He studied classical guitar for a few years in Los Angeles, and by the time he formed The Police with Sting and Stewart Copeland in 1977, he had playing music professionally for over fifteen years.
The musician, producer and 73-year-old mastermind of Parliament-Funkadelic, George Clinton, has never been shy of the limelight. He started his career singing doo wop, later found himself writing songs for Motown, and finally wound up creating a wholly unique sound and visual experience with Parliament-Funkadelic. They made hits like One Nation Under A Groove and Flashlight and their performances were as funky as their tunes.
In recent years, Clinton has found himself entangled in a series of legal battles over the copyrights of his songs. While fighting in the courts, George found himself fighting for his health as well. The doctor of the Funk gave himself his own prognosis: if he was going to continue a musical career and regain agency in his business affairs, he had to clean up his act, and he has.
The pioneer of funk joins us this week to talk about the evolution of his musical career, getting wild onstage, and putting forward momentum back into his musical career -- and even gives us an update on Sly Stone.
You know those tags you see on walls, park benches and trash cans everywhere? You might not think it's something beautiful, but Christian Acker does. His book Flip the Script is a look at graffiti typography, and celebrates the art of tagging -- one of the last strongholds of highly refined penmanship.
Acker collected writing and spoke to graffiti artists all over the country, to chronicle and analyze hand styles from Oakland to Queens. In a world where people too rarely place ink to paper, we'll look at a typographical expression that reflects your individuality, roots, and even how long you've been practicing.