al green

Bullseye with Jesse Thorn: Bootsy Collins, Oliver Wang on Al Green

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Ahh...The Name Is Bootsy, Baby! Bootsy Collins Pushes James Brown's Buttons and Gets Wild with George Clinton's P-Funk

Bootsy Collins is a legend in the world of funk. He's a bassist who came to his instrument by happenstance and fell in love. He was only in his teens when he was discovered and hired by the Godfather of Soul, James Brown, to be part of his backing band, The J.B.'s. Bootsy went on to play with another notoriously inventive and pioneering funk artist, George Clinton, as part of Funkadelic and Parliament.

He continued the funk with Bootsy's Rubber Band and a number of other musical collaborations. His most recent album is Tha Funk Capitol Of The World, and he currently teaches bass at his own Funk University. He's also playing a couple of festivals this spring and summer.

Bootsy talks to us about being on the forefront of funk, playing with James Brown, doing LSD on stage, quitting and/or being fired from The JB's, pushing the boundaries of black popular music with George Clinton, and his own amazing solo career.

He and Jesse spoke in 2011. Find an extended version of that original conversation here.

The Dissolve Talks about All-Time Favorite Movies: "Real Life" and "To Be or Not to Be"

This week, a look back at some all-time favorite movies from our pals at The Dissolve. Staff writer Nathan Rabin and Editorial Director Keith Phipps join us to talk about some of their all-time favorite films.

Nathan recommends Albert Brooks' 1979 satire Real Life, a prescient look at documenting "real life" in pre-reality television times.

Keith recommends the 1942 Ernst Lubitch classic To Be or Not to Be (Criterion Collection), starring Jack Benny and Carole Lombard.

Canonball with Oliver Wang: Al Green’s I’m Still In Love With You

In Canonball, we take a flying leap into the canon of popular music. We're joined by professor and music writer Oliver Wang to talk about an Al Green album that deserves your attention. No... it's not Green's chart-topper, Let's Stay Together. Wang says that it was Al Green's followup to that album that really rattled him to his core.

Wang talks to us about 1973's I'm Still in Love with You, the record that created a new kind of soul music. Green's beautiful, if flawed voice, was merged with Willie Mitchell's innovative rhythm section and a new sound emerged.

You can find Oliver Wang's thoughts on soul rarities and more on his blog, Soul Sides.

The Outshot: Orson Welles's F for Fake

Jesse recommends Orson Welles' final masterwork, F for Fake. Part documentary, part film essay, it features tricks and truths layered atop each other, creating a mesmerizing narrative.

Bullseye with Jesse Thorn: NBC’s Must See TV with Warren Littlefield, former NBC executive

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Show: 
Bullseye
Guests: 
Warren Littlefield
Guests: 
Oliver Wang
Guests: 
Brian Heater
Guests: 
Alex Zalben

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Comics with Alex and Brian: Other Stuff and Relish: My Life In The Kitchen

BoingBoing comics editor Brian Heater and MTV Geek's Alex Zalben are here to talk comics. Brian suggests checking out Peter Bagge's Other Stuff, a collection of the cartoonist's side projects since the 90s. Alex's pick is Relish: My Life In The Kitchen, a unique comic that's part memoir and part cookbook.

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Former NBC President Warren Littlefield on Making Must-See TV

In the late 1970s and early 80s, NBC had a lot in common with...well, NBC today. The network was consistently behind in the ratings, with not a whole lot to lose. That might partially explain why a young executive named Warren Littlefield was able to approve a couple of shows that, on paper, didn’t look all that promising. One of them found itself with the lowest ratings in all of TV at the end of the first season. The other show was a family sitcom that ABC rejected, after executives there proclaimed that family sitcoms were dead. Not the best odds, right? But those two shows – Cheers and The Cosby Show, respectively – went on to become two of the most important sitcoms in television’s history, leading directly to the development of the Thursday night powerhouse that was Must-See TV.

Littlefield left NBC in 1998; since then, the network's fortunes have changed pretty dramatically and Must-See TV no longer exists for ANY channel. So Littlefield is taking a look back at NBC's glory years in an oral history called Top of the Rock: Inside the Rise and Fall of Must See TV, which was just released in paperback. Littlefield joins us to discuss how NBC's shows changed primetime, how the shows forged intimate connections with viewers, and the pleasures and sorrows of working with a pre-rehab Kelsey Grammer.

BUT WAIT -- there's more. If you want to know why Warren thinks Norm MacDonald was fired from SNL, or why he backed Leno as the successor to the Late Night throne... Listen here for an extended cut of our interview with him, and share it with your friends.


Canonball with Oliver Wang: Al Green’s I’m Still In Love With You

In Canonball, we take a flying leap into the canon of popular music. We're joined by professor and music writer Oliver Wang to talk about an Al Green album that deserves your attention. No, it's not Green's chart-topping record Let's Stay Together. Wang says that it was Al Green's followup to that album that really rattled him to his core.

Wang talks to us about 1973's I'm Still in Love with You, the record that created a new kind of soul music. Green's beautiful, if flawed voice, was merged with Willie Mitchell's innovative rhythm section and a new sound emerged.

You can find Oliver Wang's thoughts on soul rarities and more on his blog, Soul Sides.

Special thanks to Chris Berube, who edited Canonball for us this week.

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The Outshot: Where The Wild Things Are

What do you do when you’re mad? Not just a little miffed, but angry – so angry that you’re shaking? Jesse finds a way out through Maurice Sendak's Where The Wild Things Are.

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