The English actor, comedian and writer Steve Coogan started out as a brilliant impressionist. He was beloved by audiences for his pitch-perfect impressions, and put his voice talent to good use on the satirical puppet show Spitting Image. But Coogan wanted more for himself, and began developing his own characters. While working on the radio current affairs parody On The Hour with Armando Iannucci and Chris Morris, he created his most enduring character to date -- the awkward, know-nothing sports desk reporter, Alan Partridge.
Coogan has now spent two decades off and on with Alan Partridge, as he's been fleshed out and moved from radio to television and back again. Alan has become a very important part of his life, although as Coogan says, Alan is "like a relative that you’re very fond of but you only want to see at Christmas and holidays. You don’t want to live with them." He's now brought the character to the big screen, with Alan as a regional radio deejay who accidentally gets roped into a hostage situation at his station.
Coogan has also acted in a number of movies and television shows in England and abroad, including The Trip, Night at the Museum, Tropic Thunder and 24 Hour Party People. He also recently co-wrote, produced and starred in the drama Philomena, which garnered several Academy Award nominations, including Best Picture and Best Adapted Screenplay.
He joins us this week to talk about his early days as an impressionist, the increasing emotional complexity and dynamism of his character Alan Partridge, and seeking humanity in his comedy.
Over thirty years ago, in 1980, Kevin Kerrane entered a world of unusual characters. "Jocko" Collins, "Sinister" Dick Kinsella, Cy Slapnicka. They were baseball scouts -- men who drove from game to game and town to town looking for fresh and undiscovered talent. They watched the players intently, but they didn't care who won or who lost. They were looking to see how an individual player runs, walks, and throws, and picturing how that talent might parlay to the major leagues. Kerrane renders these men and their stories in vivid detail in his classic history of baseball scouting, Dollar Sign on the Muscle.
The book fell out of print over the years, so Kerrane went back into the field in 2013 to provide a look at scouting in its current iteration.
Kerrane talks to us about some of the legendary scouts, the particular language and vernacular of the baseball scout, and the balance between old-school qualitative and new-school quantitative analysis of players.