Fela Kuti

Bullseye with Jesse Thorn: James Burrows & Future Islands

| 0 comments
Show: 
Bullseye
Guests: 
James Burrows
Guests: 
Samuel Herring

New to Bullseye? Subscribe to our podcast in iTunes or with your favorite podcatcher to make sure you automatically get the newest episode every week.

And if you're looking for a particular segment to listen to or share, check us out on Soundcloud.


Photo by Jesse Thorn

Sitcom Guru James Burrows on Andy Kaufman, Teaching Ted Danson to Tend Bar, and Why He's Still Directing

Forty-one years ago, James Burrows stepped on the set of The Mary Tyler Moore Show to direct an episode. It was his very first gig as a TV director. Since then, he co-created Cheers and became known as the go-to guy to direct your sitcom pilot. He's directed more than fifty pilot episodes, including those for Taxi, Frasier, Will & Grace, Friends, Two and a Half Men and The Big Bang Theory, and he adds more to his resume every season.

Burrows is the son of the famous playwright Abe Burrows, who wrote the book for Broadway musicals like Guys and Dolls and How to Succeed in Business Without Really Trying.

James Burrows will talk about creating his own career path on television, working with Andy Kaufman (and Andy's alter-ego Tony Clifton), brainstorming the elements that would become Cheers, and why he continues to direct.

If you liked this, let someone know! Click here to share this interview with someone.


Photo: Mark Metcalfe/Getty Images Entertainment/Getty Images

Samuel Herring of Future Islands Explains Why Joy Division's "Digital" Changed His Life

Samuel Herring, the frontman for the synth-pop band Future Islands, grew up loving hip hop (as he still does).

But there's a rock song that helped him put him on the path to forming the band Future Islands with bandmate William Cashion. And that song is Joy Division's "Digital". It's the song that changed his life.

Future Islands just released two brand-new singles, and they're out on tour this summer and fall to promote their newest album, titled Singles.

If you liked this, let someone know! Click here to share this interview with someone.

The Outshot: The Revolutionary Afrobeat of Fela Kuti

Jesse pays tribute to the feeling of Fela.

If you liked this, let someone know! Click here to share this Outshot with someone.

Embeddable Audio Player Code (Copy and Paste)

Bullseye with Jesse Thorn: Antibalas, Beauty is Embarrassing, and Brent Weinbach

| 0 comments
Show: 
Bullseye
Guests: 
Martin Perna
Guests: 
Jordan McLean
Guests: 
Wayne White
Guests: 
Neil Berkeley
Guests: 
Alex Zalben
Guests: 
Brian Heater


A panel from Gabrielle Bell's The Voyeurs

Comics with Alex Zalben and Brian Heater

Brian Heater and Alex Zalben return with more of their favorite comics. Brian recommends Gabrielle Bell’s collected diary comics in The Voyeurs. Alex Zalben suggests you check out The Manhattan Projects: Volume 1, which begs the question -- what if the creation of the atomic bomb was a cover for even more sinister and weird activities?

Brian Heater is the founder of indie comics site The Daily Cross Hatch and the new comics contributor at BoingBoing. Alex Zalben writes about comics for MTV Geek and hosts NYC’s Comic Book Club Live. He’s also currently Kickstarting a new mystery comic called Detective Honeybear.

(Embed or share these comics recommendations)


The Afrobeat Stylings of Antibalas with Martín Perna and Jordan McLean

The Nigerian band leader Fela Kuti had a vision for a new kind of music that would synthesise traditional African rhythms, highlife and pop music and American jazz and funk. He decided to sing in pidgin English, so the music could be understood and enjoyed throughout Africa. The music became known as afrobeat, and Fela is widely celebrated as a pioneer of the form.

Martín Perna and Jordan McLean continue in Fela’s tradition with their NYC-based afrobeat orchestra Antibalas. Perna founded the band in 1998 and was joined by lead trumpeter McLean and a host of other musicians to create a sound reminiscent of both Fela’s Africa 70 and Eddie Palmieri's salsa-fusion group Harlem River Drive.

Their new album is the self-titled release Antibalas.

Perna and McLean discuss the virtues of the bari sax, a pan-American sound, and the Broadway production of Fela!.

(Hear and share a longer cut of this interview with Antibalas!)


Comedian Brent Weinbach Relays Some Acting Tips

Brent Weinbach does stand up comedy, but his past records have included lots of tracks recorded without an audience -- alone, in a studio. His particular brand of weird, brooding and often dark comedy earned him an Andy Kaufman Award just a few years ago.

His new album, Mostly Live, was recorded at the Upright Citizens Brigade in Los Angeles and has more audience interaction. In fact, he gave one lucky audience member a short impromptu acting lesson.

(Embed or share this comedy with Brent Weinbach)


Punk Rock Puppets, Southern Roots and Pee-wee with Wayne White and Neil Berkeley

Wayne White's name may not ring a bell with you, but his artwork likely would. You may have been of the age to regularly watch Pee-wee’s Playhouse on Saturday mornings in the late 1980s and early 90s, when he designed sets and puppets for Pee-wee’s amazing and kitschy playhouse. Or maybe you’ve seen the visually striking music videos he worked on for The Smashing Pumpkins and Peter Gabriel. Eschewing the idea that people should “do one thing, and do it well,” White has experimented throughout his career with animation, puppetry, set design and fine art.

Neil Berkeley befriended White when they worked together in design and wanted to showcase White's cultural impact. He’s made his directorial debut with a documentary about White’s life and artwork called Beauty is Embarrassing.

White and Berkeley talk to us about deconstructing puppetry, White’s Southern roots, and the backstage world of Pee-wee’s Playhouse.

Beauty is Embarrassing is in select theaters nationwide and rolling out throughout the fall; you can find a theater near you on the film’s site.

BONUS AUDIO: Hear a longer cut of this interview, with more talk about White’s childhood influences and puppetry inspiration HERE!


The Outshot: LiveLoveA$AP

Self-released mixtapes often end up consisting of the dregs of an artist's work. If you’re looking for a mixtape that’s carefully crafted, Jesse suggests LiveLoveA$AP by A$AP Rocky.

(Embed or share The Outshot: LiveLoveA$AP)

Is there a mixtape that’s stuck with you? Jump over to the MaxFun forum and suggest it as your own Outshot.

Subscribe to Bullseye in iTunes or the RSS feed!

Embeddable Audio Player Code (Copy and Paste)

Roy Ayers' Everybody Loves the Sunshine, Fela-fied

| 0 comments

Roy Ayers performs an Afrobeat version of Everybody Loves the Sunshine that is so f'ing awesome.
Via

Syndicate content