Mark Frauenfelder of BoingBoing and the Gweek podcast joins us again this week to talk about some of his current favorite things. Mark suggests a turn at the multiplayer iPhone game Spaceteam, which is all about yelling techno-gibberish at friends. In the mood for something a little more quiet? Mark also recommends The Magazine, a minimalist, ad-free digital publication "for geeks and curious people."
Simon Rich got his first book deal in 2007. Since then, he’s published five books, received a nomination for the Thurber Prize for American Humor, contributed regular essays to the New Yorker, and worked on Saturday Night Live as a staff writer (which he recently left for a top-secret writing job at Pixar). How old is he? 29. Basically, Simon Rich has his act together.
The characters he writes about? Not so much. His latest book, The Last Girlfriend on Earth, is a collection of vignettes about lost characters coming to terms with love. And these aren’t your typical stories of romance and heartbreak; in true Simon Rich fashion, his stories make the mundane profound and vice-versa. (No one else can write a story about God’s girlfriend and follow it up with a touching monologue from a prophylactic’s POV.)
Simon sits down with Jesse to discuss the autobiographical elements of his stories, the appeal of writing from a child’s point of view, and how love is a lot like heroin.
Simon Rich’s new book of essays, The Last Girlfriend on Earth, is available in bookstores everywhere.
Digging through old stuff from your childhood can be a lot of different things – insightful, hilarious, wistful, nostalgic. But in comedian Eugene Mirman’s case, it was just embarrassing. In this clip from his latest special, Eugene describes a childhood relic, found in his parents’ basement.
Eugene Mirman’s new special, An Evening of Comedy in a Fake Underground Laboratory, is now available as a combination CD/DVD.
Conventional wisdom amongst standup comics dictates that a crowd has to be on your side before you can make them laugh. It’s good general advice, but it’s not advice that Bill Burr follows – and he’s all the better for it.
Bill Burr’s comedy is, in a word, aggressive. It’s not just that he looks and sounds tough, qualities that have landed him voice acting work in Grand Theft Auto IV and guest appearances on Breaking Bad. Aggression and confrontation are at the core of Bill’s act; he’s not afraid to curse out unruly audience members or start a set with a joke that, in a lesser comic’s hands, might totally alienate a crowd. But his comedy isn’t all tough-guy machismo. He’s just as likely to direct a rant at himself as he is others, a quality that makes his work all the more hilarious and human.
Bill spoke with Jesse a few years ago to talk about Bill’s style of comedy, challenging himself and audiences in his act, and every performer’s most dreaded nightmare: having to follow a dog or child onstage.
This interview originally aired in October 2010.
On this week’s Outshot, Jesse tears the house down with a timeless live album. It’s Solomon Burke’s "Soul Alive."
Mark Frauenfelder of Boing Boing and the podcast Gweek zeroes in on his favorite card games. His first pick is The Struggle for Catan, a spin-off of the colony-building board game Settlers of Catan. He also plugs Anomia, a crazy-fast word game that "makes your brain confuse being first with being the loudest."
Nick Kroll has a knack for taking humanity's very worst and turning it into comedy. You can see it in his portrayal of Ruxin, the overly-aggressive lawyer and fantasy football player of FX's The League, but it's even more apparent in his new Comedy Central series, Kroll Show.
Kroll Show features amazingly specific characters that have become familiar as artifacts of our reality-show, fame-gripped culture: self-indulgent trust fund party boys, vapid PR professionals, and a wannabe record producer who lives with his mom.
Kroll returns to Bullseye to discuss how he finds inspiration in people lacking self-awareness – and, on the other hand, the perils of being too self-aware.
Kroll Show airs Wednesdays at 10:30/9:30c on Comedy Central.
This episode marks the debut of our new segment: Canonball. We'll take a flying leap into the canon of popular music and find albums that deserve a closer look.
He'll tell us about Led Zeppelin III. With that album, Led Zeppelin moved away from the 60s obsession with authenticity and deep ideas -- and into a whole new sound.
Comedian Billy Eichner roams the streets of New York with a camera crew, roping unsuspecting pedestrians into playing his game show, Billy on the Street. While Cash Cab paved the way for street-ambush game shows, Eichner's approach has a unique twist.
The correct answers are often subjective (as in the game "Dead or Boring") and his game show persona is hyper-energetic and over-the-top. He's ready to swoon with a contestant who shares his love of Meryl Streep, or yell and stalk angrily away from a contestant who doesn't.
Eichner tells us about his screaming encounters with Madonna, the influence of Pee-wee Herman on his on-screen persona, and the role that game show laws played in the development of his show. (It turns out that "game show compliance lawyer" is a real job.)
Episodes of Funny or Die's Billy on the Street are available online and air Fridays at 10/9c on FUSEtv.
On the Outshot, Jesse features João Gilberto, a musician who stripped away the heat and intensity of samba to create a cool, minimalist genre: bossa nova.
So there's some stuff you should really know about, and maybe you don't. This week, Chuck Bryant and Josh Clark of the Stuff You Should Know podcast fill us in on the wonderful world of Lucha Libre (also known as Mexican Wrestling!).
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Baratunde Thurston is a stand up comedian, Director of Digital at The Onion and a "Black Representative." That is to say, he's occasionally been designated as the black guy at work, at school, or among his friends. His new book, which is part memoir and part satirical guide, is called How to Be Black.
He talks to us about staging student-led seminars about racism in high school at Sidwell Friends School in Washington, D.C., attending an extracurricular Afro-centric weekend program run by black nationalists, coming back to comedy and writing after working in the corporate world and more!
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