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Hari didn't think he would be a comedian. He thought that he was going to law school. Then somewhere between taking an Americorps Job organizing immigrants in Seattle and taking the LSAT, things changed direction. He transitioned into stand-up comedy.
Hari talks to us about the unique profile of his fans, how he fits into the "alternative" comedy scene, and how he actually got into a discussion about the racism of Apu from The Simpsons with Hank Azaria -- the real voice of Apu.
Every week we like to check in with one of our favorite culture critics to get some recommendations of things that are worth your time. This week, Los Angeles Times book critic Carolyn Kellogg stops by to talk about some of her all-time favorite westerns, starting with one that broke the mold.
Her first recommendation is Cormac McCarthy's All the Pretty Horses.
Kellogg also recommends Patrick DeWitt's The Sisters Brothers.
Jake Kasdan grew up in the movie business. His father is Lawrence Kasdan, who wrote two Star Wars films, an Indiana Jones movie, and both wrote and directed The Big Chill. And Jake's been no slouch, either. He directed his first film, Zero Effect, when he was only 24. He's gone on to work on a slew of other projects, from critically acclaimed cult shows like Freaks and Geeks, to the beloved sitcom New Girl, to the hugely commercially successful film Bad Teacher.
His new movie is Sex Tape, which sees Jason Segel and Cameron Diaz re-teamed as a married couple who accidentally release an intimate home video to the internet.
Kasdan talks about his years working with Jason Segel, the strategy involved in shooting a movie that has both feelings and (comedic) nudity, and how he unintentionally returned to working in television on New Girl.
Sex Tape is in theaters now.
Jesse explains why Harvey Pekar makes putting one foot in front of the other feel like something special.