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Luis Guzman is one of America's most successful and prolific character actors. He's appeared in dozens of films and television series, from Short Eyes in the 1970s to Miami Vice in the 1980s to Carlito's Way, Boogie Nights and The Limey in the 1990s. He made a name for himself playing thugs and cops. A few years ago, he was on the short-lived but beloved series How To Make It In America.
He talks with us about growing up in New York's Lower East Side, and about his work there as an activist and social worker. As a teen, he hung out at the legendary New Yorican Poets Cafe, watching poets and writers like Amiri Baraka, Allen Ginsburg and Miguel Piñero. Piñero ended up casting Guzman in Short Eyes, and got him his first television audition for Miami Vice. Since then, Guzman has become a favorite of directors like P.T. Anderson and Steven Soderbergh.
Ian Cohen, contributing editor at Pitchfork, stops by to recommend some of his all-time favorite heavy rock releases.
He tells us about an album which (in a move unusual for its genre) has an entirely pink cover. Deafheaven’s newest album, Sunbather, has been well-received and is on its way to becoming “an absolute landmark.”
In addition, Ian recommends the most recent Swans album,The Seer. In a bold creative move, the band creates a title track well over thirty minutes long.
If you knew about David Rees in the 2000s, it was probably for his indie political cartoon Get Your War On. When we caught up with Rees a few years ago, he had decided to get back in touch with an old-school writing instrument -- the pencil. Rees started his own artisanal pencil sharpening service, sharpening bespoke pencils, and wrote a book called How To Sharpen Pencils. Rees joined us to discuss the lost art of pencil sharpening.
Be on the lookout for Rees' upcoming show on the National Geographic Channel, Going Deep with David Rees, this summer.
Rap isn't poetry – it's its own thing. But, like poets, many of the best rappers imbue their lyrics with layers of meaning. Need proof? Jesse suggests a close listen to a single verse of Jay-Z's "Threat".
AV Club Head Writer Nathan Rabin and Managing Editor Kyle Ryan join us this week to give their pop culture picks. Kyle recommends checking out The Thermals' new album, Desperate Ground, a return to the band's loud, punk rock style. From the world of film, Nathan suggests checking out It's A Disaster, a black comedy on VOD and in select theaters about a group of friends dealing with a divorce and the approaching apocalypse.
What does the career trajectory of a lifelong political junkie look like? There are the obvious choices, like a major in Political Science, law school...maybe even a career in politics. But Armando Iannucci took a different path – one that led him to Oxford, an incomplete PhD, and work writing and producing comedy, like his acclaimed political satire The Thick of It and the feature film In the Loop.
Iannucci created a new take on American politics in the HBO comedy Veep. Now in its second season, the show follows a fictional Vice President (played by Julia Louis-Dreyfus) with lofty ambitions but little actual power. Veep showcases the comedy inherent in the struggle for the political upperhand, the constant panic and exhaustion. Seemingly small gaffes quickly escalate into ridiculous catastrophes. The show's dialogue is marked by careful attention to absurd politi-speak and some especially creative cursing.
Iannucci joins us to talk about the difference between UK and US politics, why he sympathizes with our elected officials, and conducting swearing research in Washington, D.C.
Billy Bragg performs politically-minded folk music with a punk rock edge, songs with a tone and attitude somewhere between Woody Guthrie and the Sex Pistols. But what led to him developing his voice as an artist?
As Bragg explains, one of the most pivotal moments in his life happened during his lunch break at a record store. He put on a record that changed his life: Bob Dylan's folk anthem The Times They Are A-Changin'.
Billy Bragg is currently touring the US. You can find dates and tickets through his website.
Most of us first knew Julia Louis-Dreyfus from her Emmy-winning role as Elaine on Seinfeld. Elaine flailed, fought, and danced her way into our hearts as the friend to "losers" Jerry, George and Kramer. But Louis-Dreyfus first arrived in entertainment fresh off her college comedy sketch group, as a repertory player in the Dick Ebersol-helmed cast of Saturday Night Live.
After Seinfeld, she went on to anchor several sitcoms, including The New Adventures of Old Christine, with delightful guest appearances on shows like Arrested Development and 30 Rock. Her career has now taken her to a different cast of skewed characters on HBO's Veep.
On Veep, Louis-Dreyfus plays Selina Meyer, Vice President of the United States. Though the vice-presidency is a prestigious position, Meyer's day-to-day work is less than impressive. Her staff members claw at each other for power and prestige. She suffers awkward encounters with the media and consistent snubs from the President (a running gag on the show is Selina's off-hand question, "Did the President call?" The answer is usually no).
Julia Louis-Dreyfus joins us to talk about the similarities she's discovered between show business and politics, the boys' club that was SNL in the 80s, and a certain terrible dance that still haunts her to this day.
Veep airs on HBO on Sundays at 10/9 PM central.
Rap isn't poetry – it's its own thing. But, like poets, many of the best rappers imbue their lyrics with layers and layers of meaning. Need proof? Jesse suggests a close listen to Jay-Z's "Threat".
This week’s culture critics are Nathan Rabin and Scott Tobias of The AV Club, here to offer up a pair of humor-fueled recommendations. Nathan suggests checking out comedian Hannibal Buress’s debut one-hour special, Animal Furnace, noting a marked evolution in Hannibal’s stand-up style. Meanwhile Scott is enamored with Wes Anderson’s latest, Moonrise Kingdom, hailing it as the filmmaker’s best work.
Moonrise Kingdom is currently in limited release, opening nationwide on June 15th, while Hannibal Buress’s Animal Furnace is now available on both CD and DVD.
Kurt Braunohler is a stand-up comedian and improviser, as well as one half of the sketch duo Kurt & Kristen, performing alongside writing partner Kristen Schaal. While stand-up consumes much of his time these days, he may soon be best known for IFC's Bunk, putting his disarming charms to work as host of an improv game show where comedians compete in insane challenges on behalf of less than charitable causes.
Kurt sits down with us to discuss the myriad ways in which the conventions of the game show format are begging to be satirized, the serendipitous origin of Kurt & Kristen, and how they took one of our all-time favorite sketches, "Kristen Schaal is a Horse", to Australia's biggest stage. Bunk premieres Friday, June 8th at 10:30 PM on IFC.
Thought you could escape the world of news within the hour of our pop culture program? Think again! Getting you caught up on all the latest stories that may or may not have happened, here's an update from the minds of our fake news team: the San Francisco-based sketch comedy group Kasper Hauser.
For more Kasper Hauser, check out The Kasper Hauser Podcast right here on MaximumFun.org.
Walter Mosley is an author of nearly forty books, but perhaps he's best known for his work in detective fiction. His Easy Rawlins detective series began with 1989's Devil in a Blue Dress. Lately Mosley's penning the stories of a new detective: Leonid McGill. His latest serial novel is All I Did Was Shoot My Man, the most recent entry in the McGill series, and it's loaded with the kind of snappy, hard-boiled noir writing Mosley is famous for.
Walter joined us back in 2010 to talk about the existential crises at the heart of the detective genre, and how he made the move from computer programming to detective fiction so many years ago.
For The Outshot this week, Jesse makes the case for Jay-Z as hip hop's greatest of all time -- if only for the effortlessly perfect rhythm of his lyrical flow, best represented on the track "Hovi Baby".
Got your own pick for rap's best flow? Stake your claim on the MaxFun Forum by picking your own Outshot.
Sound of Young America contributor Andrew Noz just dropped off his top 50 rap singles of 2011. I have to admit that I look forward to this list every year.
Above is one of my favorites of the year, Pete Rock's "Roses," with Smif & Wessun and Freeway. Noz's top pick this year is a natural, N*ggas in Paris.
Jensen Karp of The Hype Men was kind enough to invite me on his new Kevin Smith-affiliated podcast Get Up On This to talk about Jay-Z and Kanye West's new album Watch the Throne. It's a solid ninety minutes of rap nerdery, and features not just Jensen and me, but also 88 Keys (who produced a track on the record) and hip-hop legend slash past TSOYA guest Bun B of UGK. I had a lot of fun getting in deep on a very interesting record, and I hope you'll give the show a listen.
As heard in the new Kanye & Jay-Z video. By the way, if you don't have a copy of Otis Redding Live at the Whiskey A Go-Go, you really should get on that.
Then, shoot, get Solomon Burke's Soul Alive, too. Just get both. Then send me a thank-you email.
In this TSOYA classic, Jesse sits down with writer Jeff Chang. Chang won the American Book Award for his book, "Can't Stop Won't Stop: A History of the Hip-Hop Generation."
Jesse talked to Chang about Jay-Z and his continuous contributions to hip-hop.