This week, Rhea and Ricky face off in a competitive Pitch It, and only one walks away with a wheelbarrow full of imaginary money! Plus, Cameron shares the movie that made her, and we take a look at the 1995 buddy cop flick Bad Boys. Whatcha gonna do?
It's a Rhea/Ricky Pitch It face-off! Plus screenwriter Max Borenstein joins us in studio to talk about getting started in film & reveals his 2014 project & hey! Speaking of that we reviewed the best Taco Bell commercial of all time: GODZILLA.
We have a sweet, sweet guest on our second episode of Wham Bam Pow: Mr. DOUG JONES! Cameron chats with Doug & almost faints from joy, we discuss extreme Oscar baiting, Ricky reveals his vision for a future DIE HARD sequel, and we review Hellboy, Guillermo del Toro's festival of movie monster make-up.
In this, the inaugural episode of Wham Bam Pow, we discuss the great Sci-Fi movies that were NOT recognized by the Academy (hint: nearly all of them), Rhea pitches a HOT sequel, and we review Quentin Tarantino's oft forgotten Jackie Brown.
This week, a live recording of Bullseye, held at the Punchline Comedy Club as part of SF Sketchfest.
The San Francisco Chronicle's pop culture critic, Peter Hartlaub, joins us to share some of his favorite San Francisco films.
He recommends Francis Ford Coppola's The Conversation for its realistic depiction of San Francisco, as well as the 1978 version of Invasion of the Body Snatchers, which, in spite of its terrifying story, might give San Francisco's public transit planners some food for thought.
Peter Hartlaub writes for the San Francisco Chronicle and blogs about pop culture at The Big Event.
You'd think that it'd be almost impossible to tell stories about architecture and design in a completely invisible medium, but Roman Mars makes it work. The public radio host and producer's stories show that design is everywhere – he's produced stories about the unintentional music of escalators, failed prison designs, and reclusive monks who make the best beer in the world.
These stories are all a part of 99% Invisible, "a tiny radio show about design" that Roman hosts and produces. The show is truly tiny; it airs for only five minutes on a handful of public radio stations, including KALW. But the podcast is another story. Episodes of the podcast version of 99% Invisible are longer and more detailed – and they reach a much larger audience. Last year, Roman led a massive Kickstarter campaign to fund the show's third season. Fans gave more than $170,000, making it the most successful journalism Kickstarter to date.
Roman joins Jesse onstage to discuss his theory of creativity, his reasons for exchanging his dream of becoming a scientist for a career in public radio, and his Doogie Houser-esque college experience.
99% Invisible is available on iTunes and Soundcloud. You can follow Roman on Twitter at @RomanMars.
Why did God invent the internet? Steve Agee has an idea. It's probably not what you think.
Steve Agee is a writer, actor, and standup comedian. He's a former writer for Jimmy Kimmel Live! and appeared as Steve Myron on the beloved Sarah Silverman Program.
You can follow him on Twitter at @SteveAgee.
Boots Riley's life has always been about change, and never about complacency. He was already an leftist activist in high school, staging walkouts on school grounds, and he followed his parents' lead into community organizing. He was immersed in rap and hip hop in his hometown of Oakland, California, but didn't make the connection between the power of music and activism for several years.
Boots has fronted the hip hop group The Coup for over two decades as an MC and producer, and the group's positive, funky, and danceable music is still clearly message-driven in 2013. Their lyrics confront injustice, police brutality, and the rise of corporatism with aggressive wit. The group released a new album, Sorry to Bother You, late last year.
Boots talked to us about why he thinks an active engagement with world makes life worth living, finding humor in the disturbing reality of poverty and injustice, and what he learned from his time in, of all things, telemarketing.
What says "Bay Area" to you? For Jesse, it's all about I Got 5 On It by the Luniz – specifically, the Bay Ballers remix.
Brian Heater and Alex Zalben join us this week to share some great comics. Brian recommends Skyscrapers Of The Midwest by Joshua Cotter, a beautifully illustrated story of growing up and imagination. Alex suggests Box Office Poison by Alex Robinson, an exploration of young adults living in New York in the 90s, informed by the author’s life experiences.
Brian Heater curates Boing Boing’s monthly comics round-up, Comics Rack. You can also find his work on Engadget. Alex Zalben covers comics for MTV Geek and hosts Comic Book Club Live in New York City.
Ice-T is a rapper and actor with more than ten albums and nearly eighty acting credits to his name. He's also one of the forefathers of west coast hip-hop. He's added "filmmaker" to an already diverse resume with his directorial debut: the hip hop documentary Something from Nothing: The Art of Rap. The film is now available on DVD and VOD.
Ice sits down with us to talk about his desire to bring an artful appreciation to hip hop's origins and about going through his phone book to sit down with friends to discuss the craft. He'll also answer that lingering question: did he ghostwrite for an 80s rap album by Mister T? This interview originally aired June 12, 2012.
For much of his musical career, Aaron Freeman might have been better known to you as Gene Ween, guitarist and co-founder of the experimental rock band Ween.
In May, Freeman released his first solo record, Marvelous Clouds, a collection of covers of songs by 60s poet/songwriter Rod McKuen. Earlier this year, Freeman announced he was retiring the Gene Ween persona for good. This week he tells us about the song that changed his life: Bob Marley's "No Woman, No Cry". This interview originally aired June 12, 2012.
Greta Gerwig is an actress and filmmaker, whose starring role in the 2007 comedy Hannah Takes the Stairs put her right at the heart of the mumblecore movement. She's since gone on to leading roles in bigger indies alongside Ben Stiller in Greenberg, as well as major motion pictures like Arthur, opposite Russell Brand. The indie darling has had a particularly prominent year in 2012, with starring roles in Damsels in Distress, Lola Versus, and Woody Allen's To Rome with Love. All are available now on DVD.
Greta joins us to discuss her artistic upbringing in Sacramento (complete with dreams of being a ballerina) and her meteoric and slightly serendipitous rise as an actress. This interview originally aired June 12, 2012.
On this week's Outshot, Jesse misses the old days of pure wacky comedy insanity exemplified by the unfiltered goofiness of Mel Brooks' History of the World, Part I. This segment originally aired June 12, 2012.
Is there a film that never fails to make you laugh like a mad man? Share the laughs on the MaxFun Forum by picking your own Outshot.
This week, Raj brings a case against his girlfriend Surita. He alleges Surita, a filmmaker and film aficionado, constantly recommends classic and arthouse titles he, a movie layperson, finds horrible. Despite his lack of enjoyment, Surita persists in her artsy suggestions, and Raj is beginning to lose patience – he wants to watch movies and TV shows that entertain, and he claims Surita enjoys and is even inspired by many of his lowbrow suggestions. Is Surita right in her efforts to up Raj’s cultural ante, or should she lose the privilege of calling the shots? Only one man can decide.
On this week’s episode of Judge John Hodgman, His Honor set a task for devoted listeners. As your Halloween homework, he asked you to research the origin of Dracula’s use of the term “Bleh!”
Since you are a wonderful, loyal and intellectually curious audience, many listeners wrote in promoting a variety of interesting theories. The first, and likely the most commonly held, suggests that the "word" slowly seeped into our lexicon whilst we absorbed countless indistinguishable impressions of legendary Dracula performer Bela Lugosi. Nathaniel Reha promoted this theory, lifting a quote from the Straight Dope boards: “Actually, thinking about it a sec, I’m hearing a hundred-odd bad impersonations of Bela Lugosi in my head, doing the “I vant to suck your blood!” line. Blood, in the bad accent, becomes ‘bluh’ (with a shortened, almost silent, d or t sound at the end of the word), which just becomes the one readily identifiable word when you think of someone’s bad Hungarian/Transylvanian vampire-speak.” Though listener John McGlothlin notes “[I]f your letter-writer-inner was convinced that ‘bluh’ did not originate in strict canon, that would rule out it stemming directly from Lugosi’s accent in the 1930’s Dracula film.”
Which leads to our second theory. Several listeners suggested that the phrase first appeared in a 1952 Bela Lugosi film called "My Son the Vampire". Jamie McCormick wrote: “The earliest occurrence I can find of a Dracula character making the sound is from 'My Son, The Vampire', a 1953 musical satire starring Lugosi in essence mocking the franchise he himself created. Nosferatu, in company with the other early silent Dracula films, makes no reference to the sound, nor does Lugosi make the sound in his early and serious-minded Dracula films. Note especially the last line of the film's title track – “He wants Bluuuuuuuuuuud!”
Jamie also provided links to the film for those who want to verify this theory. You can find the full film on You Tube or on Netflix; but Jamie also astutely notes that only the Netflix version has the song "My Son, the Vampire" rolling over the credits. Why?
I did some further research. Actually, that title song provides a rather interesting clue. As listener John McGlothlin noted, “[A]round . . . 1964, Allan Sherman put out a comedy song titled “My Son, the Vampire” which opens with “blood!” being screamed in a strange way that sounds rather ‘bluh’ like.” This Allan Sherman tune is the title song of the movie in some (but not all) versions of the film. According to IMDB , the film's original title was “Vampire Over London”, (this is the version available on You Tube), but it was apparently retitled "My Son, the Vampire" for its 1963 American re-release (six years after Bela Lugosi's death) to cash in on the success of Allan Sherman's album, "My Son, the Folksinger". Indeed, there is an American trailer for the film that prominently features Mr. Sherman:
I also discovered that Rhino released an EP of Sherman’s work in 2005 that includes “My Son, The Vampire”. So for 99 cents you can nab the song from itunes and consider the audio evidence yourself. (Although, truthfully, you hear him utter the critical word during the few seconds of the song's free preview).
A third theory, promoted by multiple listeners, claims that the sound was first uttered by comedian Gabe Dell. Kevin Harris first advanced this theory without any video or audio evidence; but listener Cayman Unterborn did all of the heavy lifting for him by providing an extensive defense of Dell as the source of the original parody. First, he provided this explanation from Svenghoolie (who he identifies as a venerable Chicago Horror Icon): “. . . Bela, as Dracula, never said ‘Bleh!’ It was indeed an imitator – back in the days of the old Steve Allen TV show; one of his stock players, Gabriel Dell (who had, at one time, been a ‘Dead End Kid’ in movies – and may have even worked with Bela in a cut-rate Monogram movie) was playing Dracula – and did the ‘bleh!’ thing (or, do you spell it ‘blah!’) From there on, it was history. So many Drac and/or Bela impersonators have done that now that most people assume that Bela actually did that . . .” Unterborn also found a CD that appears to feature a 1963 recording of Gabriel Dell doing his Dracula character (not on the Steve Allen show) and he also points out that you can download audio of the relevant Steve Allen Show episodes where Dell performs as Dracula, but it's going to cost. In terms of putting these performances on the correct spot in our "bleh!" timeline, I discovered that, according to IMDB, Dell performed this character on Steve Allen's Plymouth Show in 1957 (episode 2.35) and again in 1959 (episode 5.3). So that puts it after the original release of "Vampire Over London", but before the re-release of that film with the Allan Sherman title song.
Finally, two listeners suggested a connection to comedian Lenny Bruce. John McGlothin (who, along with Adam Pracht, tried to maximize his chances of winning by providing support for three of these theories) notes that “[I]n the 1960s, Lenny Bruce did a parody of Dracula as a Yiddish man, and the Eastern European accent may have made blood sound a bit like “bluh.” But McGlothin did not provide links to any video or audio which verifies Bruce’s performance or its place in this timeline. This theory does, however, have the backing of reference librarian Emily Menchal who states that there is support for the Lenny Bruce theory in David Skal’s book The Monster Show: A Cultural History of Horror.
That concludes my dutiful summary of the wonderful answers you uncovered.
So who's right? Only one man can judge the true winner of this contest! And we await his verdict.
Corey Stoll is one of those actors that you’ve seen but might not recognize. He’s been in a handful of cop shows, most recently he played Detective Thomas "TJ" Jaruszalski on Law and Order: Los Angeles until that show was cancelled. He was in an episode of The Unusuals, which was a great show in my opinion, but it too was eventually pulled. Lately, he’s gained accolades for his turn as Ernest Hemingway in Woody Allen’s fantasy Midnight in Paris starring Owen Wilson. It’s a truly fantastic tale where larger-than-life characters from the Lost Generation of Paris in the 1920s (Hemingway, Fitzgerald, Picasso, Gertrude Stein) are visited by Wilson’s character who gets lost one night while walking through Paris…you guessed it, at midnight.
Chris Bowman: What were your thoughts on Ernest Hemingway as a person before playing him in the film?
We were all there: yawning a little from already having watched "Planet Terror", but soon to be awakened by the intermission entertainment during Quentin Tarantino's "Grindhouse". There we were again: popcorn on shirt, dying of laughter during the first twenty minutes of Ben Stiller's "Tropic Thunder". Fake movie trailers. We couldn't get home fast enough to watch a slew of them on YouTube. Now they're coming to you.
Red Hour Digital, a recent branch of Stiller's own Red Hour Productions, has recently let the world know of The Fake Trailer Project, a twelve-part web series to be launched later this fall that will consist entirely of fake movie trailers. Its success seems nearly assured by Stiller's decision to recruit some top comedy talent for the project including Thomas Lennon and Ben Garant of "Reno 911!" and Amy Heckerling, director of "Clueless", "European Vacation", and "Fast Times at Ridgemont High".
There are two schools of thought in the fake-movie-trailer universe. In the first, you've got your re-cut trailers that mix clips from the actual production with new voice-overs and music to present the film as an upcoming release in an entirely different genre. Prime example below: "The Shining" re-packaged as a romantic comedy. In the second camp are fabricated story lines for non-existent films such as those in "Grindhouse" and "Tropic Thunder". No matter which you prefer, however, these pretend previews have made a name for themselves.