Thao Nguyen began her career as a singer-songwriter in her teens, while making change for customers at her mother’s laundromat. Her musical influences include country, folk and hip-hop, but her music is uniquely her own.
Her latest album as the frontwoman of the band Thao and the Get Down Stay Down is called A Man Alive, and takes its inspiration from Thao's complicated relationship with her father. Their estrangement began when Thao was a teenager and has continued into her adulthood. Her feelings of affection and resentment results in a musical experience that is both raw and intimate.
Thao Nguyen sat down with Jesse to talk about the importance of her collaboration with producer Merrill Garbus in the making of the album, the diversity of her early musical influences and the struggle to fit in while growing up as a Vietnamese-American.
Thao and the Get Down Stay Down's new album, A Man Alive is available now. The band is currently on a cross country tour; you can find those tourdates here.
Lance Bangs is the kind of filmmaker who would prefer jumping into the backseat of a car with a camera than being responsible for a huge budget and massive crew. His intimate approach to filmmaking has been appreciated and sought after not only for films and television, but also numerous music videos for performers including Sonic Youth, Nirvana, Green Day, Arcade Fire, REM and Kanye West.
He was even brought on to help film the intimate relationships within the MTV reality show Jackass, which focused on its talent performing incredibly dangerous and crude pranks and stunts.
Lance Bangs’ latest television show is the new Viceland series Flophouse. The show profiles the lives of up-and-coming stand-up comics and the sometimes questionable living conditions they live under while trying to make career for themselves in comedy.
Lance Bangs joined Jesse to talk about his why he prefers his intimate approach to filmmaking, his memories of working on Jackass and why he is attracted to the world of comedy.
Jesse talks about the emotional depth to be found in Black Sabbath’s 1970 album, Paranoid.
Probably my favorite song by a white person.
Also: who knew that Fred Wesley toured with Van Morrison?
Yeah, you better give Fred Wesley a solo.
Roy Ayers performs an Afrobeat version of Everybody Loves the Sunshine that is so f'ing awesome.
I hadn't thought of this song in a number of years, till it came up in this AV Club roundup of acts that shoulda been bigger. This is a pretty great track.
One great song. One great sample. Three fantastic songs.
From the intro of the beautiful "Be Real Black for Me" by Donny Hathaway and past Sound guest Roberta Flack came two of my favorite hip-hop tracks: first M.O.P.'s "World Famous," then Scarface's "My Block."
Donny Hathaway & Roberta Flack, "Be Real Black For Me" (1972)
M.O.P. "World Famous" (1996)
Scarface "My Block" (2002)
The French fashion house Balmain came up on my style blog (they were selling an $1800 hoodie). It reminded me of the opening lines of this song, which is featured in Hotel Chevalier, the short film that was distributed with Wes Anderson's The Darjeeling Limited.
The film is below.
Robin Thicke, "Brand New Jones."
Honorable Mention: Tweet "Oops (Oh My)"
The hot new things in NYC rap barely sound like NYC rappers. Song's pretty solid, though. Can't front on that.