Andrew Noz joins us this week to share a couple of his current favorite rap tracks. His first pick is Mouse On Tha Track's smooth and mellow "Get High Get Loaded," featuring Fiend. His second recommendation is Mystikal's incredible new song "Hit Me."
Aimee Mann rose to prominence in the 80s with the success of her new wave band 'Til Tuesday's single, "Voices Carry," but she found the limelight uncomfortable. Tired of contending with record companies' attempts to pigeonhole her and her work, Aimee struck out on her own. She joins us this week to discuss that transition from frontwoman to solo artist, the stresses of fame, and coping with uncertainty at a time in her life when she thought she would have had everything figured out.
Aimee's new album, Charmer, is available now.
2013 is a whole new year chock full of things that want ranking -- who has the time to tackle that task? Fortunately, we have Jordan Morris to tell us what's what!
Seth Godin is best known as a marketing guru, but he brings far more compassion and genuine insight to his work than the title might lead you to expect. And his observations aren't just valuable for CEOs. He makes his work for content creators operating on every scale. He joins us this week to delve into the "assets that matter" -- the qualities and values critical to creating great, meaningful work.
Seth Godin's new books are V Is for Vulnerable: Life Outside the Comfort Zone, The Icarus Deception: How High Will You Fly?, and Whatcha Gonna Do with That Duck?.
Trickery and deception are featured prominently in some of Orson Welles's finest works, so it is fitting that the existence of an objective truth and its relative importance is most thoroughly explored in Welles's final major film, F for Fake. Part documentary, part film essay, F for Fake features tricks and truths layered atop each other, creating a mesmerizing narrative.
This week! Noz's Rap Picks: Andrew Noz of the hip hop blog Cocaine Blunts offers his some of his favorite rap tracks right now, Gas Station from SL Jones and Kissin Pink from A$AP Rocky. (Embed or share)
Pop Culture Advice from My Brother, My Brother and Me: Brothers by all accounts, and experts by some – Justin, Travis and Griffin McElroy of My Brother, My Brother and Me offer offer solutions to listeners' pressing pop culture problems. This week the brothers wonder whether parents should introduce Justin Bieber, Star Wars, and Ke$ha to their children. (Embed or share)
Writer Lawrence Weschler: Jesse talks with a master of creative nonfiction, Lawrence Weschler, about the dangers of humans' bias toward narrative, and why the CGI faces in movies never look quite right. Weschler's newest book is Uncanny Valley: Adventures in the Narrative. (Embed or share)
Comedian and Author Chris Gethard: Comedian Chris Gethard talks about booking megastar P. Diddy at a tiny theater in New York, using both mania and depression to shape his comedy, and confronting Internet trolls in person. His new book is called A Bad Idea I'm About to Do. (Embed or share)
And The Outshot: The Civil War, reimagined in 140-character bursts. Jesse talks about one of his favorite Twitter accounts, @FakeCivilWar. (Embed or share)
You can subscribe to our podcast in iTunes or the RSS feed -- stay tuned for next week's Bullseye!
BONUS AUDIO from this week! Lawrence Weschler talks to Jesse about the incredible and unusual Museum of Jurassic Technology in LA.
Andrew Noz of Cocaine Blunts is back with us in August to tell us about his favorite tracks of the moment. Check out songs from Mellowhype, Curren$y and others.
And two more tracks that were cut from broadcast:
Cocaine Blunts blogger Noz is back to bring us some of his favorite tracks right now:
And two more that were cut for broadcast:
Noz runs the successful hip-hop blog Cocaine Blunts. He joins us to share the tracks he's most excited about right now.
E-40 lets it be known that if you don't get it, you don't get it: "Me and squares and the game-goofy motherfuckers and the don't-knows and the motherfuckers that ain't never been in the life or even hit a block or been on no corners or been in any type of sticky situation or nothing they ain't gonna never understand me."
(Above: "Lil Grimey N***a" f. Stressmatic)
Our pal Noz has been all over The Based God, Lil B for quite some time now. The king of Based Music makes his MTV debut (maybe, I don't actually know if that's true) above, on The Vice Guide to Everything. I am a tireless Yay Area representative, but I genuinely do not understand what Lil B is all about. Not in a bad way. In a genuinely uncomprehending way. I'm pretty sure anything that brings together Noz, Vice Magazine and Short Dog is probably good, though.
If you're a hip-hop fan, you won't want to miss Noz's great interview with Yelawolf on Cocaine Blunts. Excellent discussion of topics close to my heart: Devin the Dude... Mystikal... which is the best member of Hieroglyphics. The man's a serious fan.
Andrew Noz is the blogger behind Cocaine Blunts & Hip-Hop Tapes, one of the internet's most successful hip-hop blogs. He's also a contributor to NPR, Complex and The Washington City Paper, among other outlets.
The always-incisive Noz writes that "It's the ability to convey, and then overcome, pain that remains Organized's greatest strength and separates them from so many of their peers." He's talking about Organized Noize, the legendary production team of the Dungeon Family - Outkast, The Goodie Mobb and friends, and he's compiled a wonderful list of their top 25 productions of all time.
I'm as big a Dungeon Family fan as there could be, but Noz has me trumped in all departments. There are lots of great tracks that I've loved for years in the list - like say Ludacris' "Saturday (Ooh Ooh!)," or Outkast's "Skew It On the Bar-B".
You owe it to yourself to check out the whole list. Above: the Cool Breeze classic "Watch for the Hook", below: Curtis Mayfield's duet with Lauryn Hill, "Here But I'm Gone." Not-so-fun fact: because Mayfield was paralyzed by the time he recorded the track (from his final album), he was forced to sing one line at a time while suspended upside-down in the studio so he could muster the breath to force out the notes.