We're joined again this week by guest co-host Julie Klausner.
Associate National Editor Tasha Robinson and Film Editor Scott Tobias of the AV Club recommend Imagination Illustrated, which journals the various creative efforts of Jim Henson, and a modern, dark adaptation of Wuthering Heights.
Inspired by the sounds of Jackie Wilson, Little Walter, and Muddy Waters, Syl Johnson set out to make his own mark in music in the 1950s. His own gritty, bluesy voice and funk rhythms earned him a place in the Chicago soul and blues scene. Over the course of a career on Chicago's Twinight and Memphis' Hi Records, Johnson released several singles that climbed their way up the pop and R&B charts ("Different Strokes", "Come On Sock It To Me", "Is It Because I'm Black?") and but never attained the smash success of contemporaries like Al Green or James Brown.
He found ubiquity later in life, when dozens of hip hop artists from Run-DMC to Kanye West dug into his catalog to sample his sounds (perhaps foremost his signature scream on "Different Strokes"). Johnson found himself in the spotlight again last year when the archival label Numero Group assembled a Grammy-nominated boxset of his early cuts, titled Syl Johnson: The Mythology.
Armed with childhood memories of watching Psycho and Alien and an insatiable appetite for true crime stories, Gillian Flynn began writing her first thriller, Sharp Objects. The book's success took Flynn from magazine journalist to full-time author. Her newest book, the bestselling Gone Girl, is a twisted and wry look at a marriage gone horribly wrong.
Flynn offers insights on the twisted and damaged psyches of her characters, cherishing the unease that comes with following an unreliable narrator, and how she combats the trope of the female victim.
This week, Jesse lauds the commitment and direction of Key & Peele's sketch comedy.
For more, check out our interview with Keegan-Michael Key and Jordan Peele from earlier this year.
What’s your favorite sketch comedy show? Jump over to the MaxFun forum and pick your own Outshot.
Our comic book experts return with new graphic bounty! Alex Zalben recommends the new series Mind MGMT by Matt Kindt, who spins a tale of a plane crash, memory loss and psychic spies. The second issue in the series is out now. Brian Heater suggests you check out Angelman by Nicholas Mahler, which is a story of a man who has superpowers that might be milder or meeker than those of most heroes -- fighting figurative fire with qualities like being a "good listener".
You can find Alex Zalben writing for MTV Geek or co-hosting NYC's Comic Book Club Live. Brian Heater is a journalist and the Editor-In-Chief of The Daily Crosshatch, which highlights alternative comics.
Elvis Mitchell is a critic who's brought his insights on film to the pages of the New York Times and the L.A. Weekly; he's also interviewed scores of film industry writers, actors and directors over fifteen years of hosting the LA-based public radio show The Treatment. He's even ventured into filmmaking himself, producing a series of documentaries about race and success called The Black List.
But while he's been in the business of film criticism a long time, his manner or tastes can't be called conventional. Mitchell talks about his wide-ranging cultural appetite (which has room for well-executed films like Pootie Tang), the interplay between television and film, and how he got into the business of analyzing pop culture.
The brothers McElroy -- Travis, Griffin and Justin -- are in the business of giving advice, though they don't suggest you take it. This week, they answer listeners' queries about the collision of pop culture and personal relationships. The McElroy brothers host a weekly podcast called My Brother, My Brother, and Me.
Kevin Barnes founded the experimental pop group of Montreal over fifteen years ago, and the band's sound has morphed as often as (and alongside) Barnes' various stage personae and personal ups and downs. Of Montreal's original twee pop sensibility gave way to new sounds and increasingly complicated arrangements over the years, as the band experimented with electronic, R&B, funk, disco and psychedelic music within a pop framework.
Barnes discusses why he writes so much of the band's music on his own, the theatricality of the band's live performances (from elaborate costumes and skits, to a live horse), and more.
The band's latest release, Paralytic Stalks, is out now.
Jesse explains what makes David Letterman such an especially gifted late night host in a world of very good late night hosts.
Got a cultural gem of your own? Pick your own Outshot on the MaxFun Forum.>
On this edition of The Sound of Young America, Kyle Ryan and Genevieve Koski from The AV Club meet with Jesse to talk about some of the "hip and happening" things going on in pop culture at the moment.