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Luis Guzman is one of America's most successful and prolific character actors. He's appeared in dozens of films and television series, from Short Eyes in the 1970s to Miami Vice in the 1980s to Carlito's Way, Boogie Nights and The Limey in the 1990s. He made a name for himself playing thugs and cops. A few years ago, he was on the short-lived but beloved series How To Make It In America.
He talks with us about growing up in New York's Lower East Side, and about his work there as an activist and social worker. As a teen, he hung out at the legendary New Yorican Poets Cafe, watching poets and writers like Amiri Baraka, Allen Ginsburg and Miguel Piñero. Piñero ended up casting Guzman in Short Eyes, and got him his first television audition for Miami Vice. Since then, Guzman has become a favorite of directors like P.T. Anderson and Steven Soderbergh.
Ian Cohen, contributing editor at Pitchfork, stops by to recommend some of his all-time favorite heavy rock releases.
He tells us about an album which (in a move unusual for its genre) has an entirely pink cover. Deafheaven’s newest album, Sunbather, has been well-received and is on its way to becoming “an absolute landmark.”
In addition, Ian recommends the most recent Swans album,The Seer. In a bold creative move, the band creates a title track well over thirty minutes long.
If you knew about David Rees in the 2000s, it was probably for his indie political cartoon Get Your War On. When we caught up with Rees a few years ago, he had decided to get back in touch with an old-school writing instrument -- the pencil. Rees started his own artisanal pencil sharpening service, sharpening bespoke pencils, and wrote a book called How To Sharpen Pencils. Rees joined us to discuss the lost art of pencil sharpening.
Be on the lookout for Rees' upcoming show on the National Geographic Channel, Going Deep with David Rees, this summer.
Rap isn't poetry – it's its own thing. But, like poets, many of the best rappers imbue their lyrics with layers of meaning. Need proof? Jesse suggests a close listen to a single verse of Jay-Z's "Threat".
AV Club Head Writer Nathan Rabin and Managing Editor Kyle Ryan join us this week to give their pop culture picks. Kyle recommends checking out The Thermals' new album, Desperate Ground, a return to the band's loud, punk rock style. From the world of film, Nathan suggests checking out It's A Disaster, a black comedy on VOD and in select theaters about a group of friends dealing with a divorce and the approaching apocalypse.
What does the career trajectory of a lifelong political junkie look like? There are the obvious choices, like a major in Political Science, law school...maybe even a career in politics. But Armando Iannucci took a different path – one that led him to Oxford, an incomplete PhD, and work writing and producing comedy, like his acclaimed political satire The Thick of It and the feature film In the Loop.
Iannucci created a new take on American politics in the HBO comedy Veep. Now in its second season, the show follows a fictional Vice President (played by Julia Louis-Dreyfus) with lofty ambitions but little actual power. Veep showcases the comedy inherent in the struggle for the political upperhand, the constant panic and exhaustion. Seemingly small gaffes quickly escalate into ridiculous catastrophes. The show's dialogue is marked by careful attention to absurd politi-speak and some especially creative cursing.
Iannucci joins us to talk about the difference between UK and US politics, why he sympathizes with our elected officials, and conducting swearing research in Washington, D.C.
Billy Bragg performs politically-minded folk music with a punk rock edge, songs with a tone and attitude somewhere between Woody Guthrie and the Sex Pistols. But what led to him developing his voice as an artist?
As Bragg explains, one of the most pivotal moments in his life happened during his lunch break at a record store. He put on a record that changed his life: Bob Dylan's folk anthem The Times They Are A-Changin'.
Billy Bragg is currently touring the US. You can find dates and tickets through his website.
Most of us first knew Julia Louis-Dreyfus from her Emmy-winning role as Elaine on Seinfeld. Elaine flailed, fought, and danced her way into our hearts as the friend to "losers" Jerry, George and Kramer. But Louis-Dreyfus first arrived in entertainment fresh off her college comedy sketch group, as a repertory player in the Dick Ebersol-helmed cast of Saturday Night Live.
After Seinfeld, she went on to anchor several sitcoms, including The New Adventures of Old Christine, with delightful guest appearances on shows like Arrested Development and 30 Rock. Her career has now taken her to a different cast of skewed characters on HBO's Veep.
On Veep, Louis-Dreyfus plays Selina Meyer, Vice President of the United States. Though the vice-presidency is a prestigious position, Meyer's day-to-day work is less than impressive. Her staff members claw at each other for power and prestige. She suffers awkward encounters with the media and consistent snubs from the President (a running gag on the show is Selina's off-hand question, "Did the President call?" The answer is usually no).
Julia Louis-Dreyfus joins us to talk about the similarities she's discovered between show business and politics, the boys' club that was SNL in the 80s, and a certain terrible dance that still haunts her to this day.
Veep airs on HBO on Sundays at 10/9 PM central.
Rap isn't poetry – it's its own thing. But, like poets, many of the best rappers imbue their lyrics with layers and layers of meaning. Need proof? Jesse suggests a close listen to Jay-Z's "Threat".