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Who Shot Ya? Episode 94: 'Men in Black: International', Troubled Productions, and Our Favorite Movie Posters with Julia Prescott

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Show: 
Who Shot Ya?
Guests: 
Julia Prescott

Men in Black: International

You know what? We make this look good. Podcasting that is. Alonso and Drea are joined by the wonderful co-host of 'Everything's Coming Up Simpsons' - writer and comedian Julia Prescott. The three of them dissect the brand new film, Men In Black: International. They chat about the movies that received the "troubled production" reputation. Plus, they discuss their favorite/least favorite movie posters. And, as always, staff picks.

In news, April Wolfe is writing the Black Christmas remake, an animated Spice Girls musical is on its way, and Dee Rees is working on a fantasy musical of her own.

Staff Picks:

Alonso - Between the Lines
Drea - Wild Rose
Julia - At the Heart of Gold: Inside the USA Gymnastics Scandal

With Alonso Duralde, Drea Clark, and Julia Prescott.

You can let us know what you think of Who Shot Ya? on Twitter or Facebook. Or email us at whoshotya@maximumfun.org

Call us on the "Who Shotline" - WSY-803-1664

Produced by Casey O'Brien and Laura Swisher for MaximumFun.org.

Switchblade Sisters Episode 85: 'Night Tide' with 'Gas Food Lodging' Director Allison Anders

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Guests: 
Allison Anders

Night Tide

Allison Anders is an award-winning screenwriter, film and television director who was born in Kentucky and raised in LA. She attended film school at UCLA, where she co-directed the 1987 feature film Border Radio. Her first solo feature film, starring Fairuza Balk and Ione Skye, Gas Food Lodging premiered at the Sundance Film Festival in 1992, and earned her Independent Spirit Award Nominations for Best Director and Best Screenplay. She went on to write and direct the feature films Mi vida loca, Grace of My Heart, and Sugar Town, as well as Things Behind the Sun, for which she won a Peabody award. She’s directed episodes of Sex and the City, Orange Is the New Black, Southland, Riverdale, Murder in the First and recently Sorry for Your Loss.

The movie that Allison has chosen to discuss is a deep cut, but a good one. It's the moody, horror, thriller Night Tide. Allison discusses her early fascination with the film and how it keeps re-emerging in her life. She elaborates on the beginning of her career, and how it really spawned from deeply stalking Wim Wenders. Allison talks at length about the move from independent features to directing television. And she has an amazing story of helping Harry Dean Stanton cultivate his character on Paris, Texas with a poem she wrote after having a catatonic episode.

If you haven't seen any of Allison's films, Gas Food Lodging is a great place to start.

And go watch Night Tide too, while you're at it.

With Katie Walsh and Allison Anders.

You can let us know what you think of Switchblade Sisters on Twitter or Facebook.

Or email us at switchbladesisters@maximumfun.org.

Produced by Casey O'Brien and Laura Swisher for MaximumFun.org.

Switchblade Sisters Episode 82: 'Unfaithful' with 'Being Frank' Director Miranda Bailey

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Guests: 
Miranda Bailey

Unfaithful

Miranda Bailey is a producer, actor and director. She’s produced over 20 films, among them the Oscar-nominated The Squid and the Whale, the Spirit Award-winning The Diary of a Teenage Girl, as well as James Gunn’s Super, the Sundance hit Swiss Army Man and the critically acclaimed Norman. Her directorial debut came in 2010 with the documentary Greenlit, a humorous piece examining the hypocrisy inherent in Hollywood’s green movement, which premiered at SXSW. Bailey’s directorial narrative feature debut Being Frank, an offbeat family dramedy premiered in the Spotlight Section at the 2018 SXSW Film Festival and 2018 Los Angeles Film Festival. The film stars Jim Gaffigan, Anna Gunn, Samantha Mathis and Logan Miller.

The movie that Miranda has chosen to discuss is the super sexy Unfaithful. She and April talk about the art of seduction in film, and Miranda relates some stories of directing sex scenes in her own movies. Miranda shares her experience working with Richard Gere and why she feels she could call him if she was being murdered. Plus the two dissect director Adrian Lyne's filmography of seductive thrillers, and why the most important scenes in his films frequently involve the toilet.

You can check out Being Frank in theaters this Father's Day.

If you haven't seen it yet, go watch Unfaithful.

With April Wolfe and Miranda Bailey.

You can let us know what you think of Switchblade Sisters on Twitter or Facebook.

Or email us at switchbladesisters@maximumfun.org.

Produced by Casey O'Brien and Laura Swisher for MaximumFun.org.

Pop Rocket: The Final Episode

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Pop Rocket

**Warning - this episode contains lots of tears**

For the final episode of Pop Rocket, the panel convene to give listeners one last All About, one last Jam, and they look back at the past four and a half years, and all the various milestones they’ve shared with one another and their listeners while doing the show--marriages, deaths, birth, book deals, finding a new home, and so many other memories. It’s raw. It’s wonderful. In addition, we’ll hear phone calls from listeners and friends of the show about what Pop Rocket meant to them. Plus, Guy shares the best abortion joke he’s ever heard.

Lastly, Wynter and Karen reveal their new, upcoming podcast, and how you can stay in touch with them beyond Pop Rocket.

ALL ABOUTS
Margaret: Broad City series finale
Karen: Gentleman Jack
Wynter Veep
Guy: Long Shot

That's My Jam

Margaret: George Harrison-If Not for You

Karen: The Postal Service - Such Great Heights

Guy: Christine Anu, David Hobson - Now Until the Break of Day

Wynter: Sid Vicious - My Way

Announcement
Karen Tongson and Wynter Mitchell-Rohrbaugh have a new podcast in the works called Waiting to X-hale


Waiting to X-hale Podcast

Waiting to X-hale is a brand new woman-of-color driven podcast hosted by Wynter Mitchell-Rohrbaugh, and Karen Tongson, revisiting the pop culture and transformative social issues that defined Generation X. Our discussions, debates, and instructional interludes will let you see your favorite (and least favorite) aspects of GenX culture in a way that sheds new light on both then, and now. A special preview episode is dropping in early June with regular episodes recurring after Karen returns from her book tour in July.

For more information, sign up for the Waiting to X-hale newsletter, and follow the show on Twitter:
@waiting2xhalepd

With Guy Branum, Karen Tongson, Margaret Wappler, Wynter Mitchell-Rohrbaugh

Produced and edited by Laura Swisher for MaximumFun.org.

Switchblade Sisters Episode 81: 'E.T. the Extra-Terrestrial' with 'The Devil Wears Prada' writer and 'Crazy Ex-Girlfriend' Co-Creator/ Showrunner Aline Brosh McKenna

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Guests: 
Aline Brosh McKenna

E.T. the Extra-Terrestrial

Aline began her screenwriting career in 1999 with her first produced feature, the romantic comedy Three to Tango, starring Neve Campbell. That film established Aline as a go-to writer of realistic drama and romance. She followed that film up with 2004’s Laws of Attraction, starring Julianne Moore and Pierce Brosnan. But her best known work came with the film adaptation of the popular novel, The Devil Wears Prada, a modern classic, and features one of Meryl Streep’s signature roles as the imperious magazine editor, Miranda Priestly. In 2014, Aline added television to her resume when she co-created the critically acclaimed, Emmy award-winning comedy series, Crazy Ex-Girlfriend, on which she served as head writer, showrunner, and executive producer. The series just finished airing its fourth and final season on the CW.

The movie that Aline has chosen to discuss is the wonderful Steven Spielberg film, E.T. the Extra-Terrestrial. She discusses how the film has become one of her favorites over the years, and one that she admires as a feat of technical storytelling. She dives into the process of working with actors to help change movie scripts on set, like working with Emily Blunt on The Devil Wears Prada to fully develop her character. She elaborates on showrunning Crazy Ex-Girlfriend and the insane schedule of producing a musical one hour sitcom. Aline also bemoans the lack of character-driven films that were so prevalent in the '70's, and how she frequently falls asleep during the final fights of Marvel films.

You can check out Crazy Ex-Girlfriend on Netflix now.

If you haven't seen it yet, go watch E.T. the Extra-Terrestrial.

With April Wolfe and Aline Brosh McKenna.

You can let us know what you think of Switchblade Sisters on Twitter or Facebook.

Or email us at switchbladesisters@maximumfun.org.

Produced by Casey O'Brien and Laura Swisher for MaximumFun.org.

Switchblade Sisters Episode 80: 'An American Werewolf in London' with 'American Psycho' and 'Charlie Says' Writer Guinevere Turner

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Guests: 
Guinevere Turner

An American Werewolf in London

Guinevere Turner is a writer, director and actor who has been working in film and TV since her 1994 debut feature Go Fish, which she wrote, produced and starred in. The film premiered at Sundance and then got picked up by Samuel Goldwyn. Next, Guinevere teamed up with director Mary Harron to write the adaptation of Bret Easton Ellis’ novel American Psycho, starring Christian Bale as a psychopathic finance guy who murders people for fun and to see how much he can get away with. Guinevere also worked with Harron writing The Notorious Bettie Page. She was a writer, story editor, and played a recurring character on Showtime’s The L Word. Her latest screenplay, Charlie Says, tells the story of the women who killed for Charles Manson as they serve out the first few years of their decades-long prison term. Charlie Says is directed by Mary Harron and is in theaters now.

The movie that Guinevere has chosen to discuss is An American Werewolf in London. She and April elaborate on just how groundbreaking this film was in terms of its combination of comedy and real horror. They, of course, dissect the famous werewolf transformation scene. Plus, Guinevere talks about her own process, and how her childhood spent in a cult inspired her newest film Charlie Says. She reveals that she hates it when actors change the dialogue from one of her screenplays, but conversely, as an actress she always asks if she can change lines. She discusses her dislike of tricking actors into performances. And she even touches upon working with Christian Bale on American Psycho and her decades long collaborative relationship with Mary Harron.

You can check out Charlie Says in theaters now.

If you haven't seen it yet, go watch An American Werewolf in London.

With April Wolfe and Guinevere Turner.

You can let us know what you think of Switchblade Sisters on Twitter or Facebook.

Or email us at switchbladesisters@maximumfun.org.

Produced by Casey O'Brien and Laura Swisher for MaximumFun.org.

Who Shot Ya? Episode 88: 'Long Shot' with Special Guest Host Brodie Reed and TV Writer Brendan Hay

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Show: 
Who Shot Ya?
Guests: 
Brodie Reed
Guests: 
Brendan Hay

Long Shot

On this week's episode, please welcome to the hosting chair, special guest host, comedian Brodie Reed! This great man helps the crew dissect the new Charlize Theron/ Seth Rogen rom-com, Long Shot. They are also joined by TV writer Brendan Hay (Harvey Girls Forever, Dawn of the Croods, Robot Chicken). They discuss their favorite school movies. And, as always, staff picks.

In news, Sonic the Hedgehog switches gears, Jacki Weaver tells Anjelica Huston "she can go fuck herself", director Joe Carnahan goes crazy on the critics.

Staff Picks:

Alonso - The Burial of Kojo
Brendan - Under the Silver Lake
April - Sightseers
Brodie - Native Son

With Alonso Duralde, Brendan Hay, April Wolfe, and Brodie Reed.

You can let us know what you think of Who Shot Ya? on Twitter or Facebook. Or email us at whoshotya@maximumfun.org

Call us on the "Who Shotline" - WSY-803-1664

Produced by Casey O'Brien and Laura Swisher for MaximumFun.org.

Switchblade Sisters Episode 79: 'The Red Queen Kills Seven Times' with 'Body at Brighton Rock' Director Roxanne Benjamin

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Guests: 
Roxanne Benjamin

The Red Queen Kills Seven Times

Roxanne Benjamin is a Los Angeles-based filmmaker, who began her career in creative development, analyzing story for film festivals and production companies. In 2010, she moved up the ladder at a company called The Collective, where she went on to produce the well known anthology horror films V/H/S and V/H/S/2, which premiered at Sundance Midnights. Roxanne then helmed the short “Don’t Fall”, part of Magnolia Pictures’ all-women-helmed horror anthology, XX. She served double duty on the film, co-writing and producing the segment “The Birthday Party” for musician-turned-director Annie Clark aka St. Vincent. Body at Brighton Rock is her solo feature directorial debut. It tells the story of a young woman working the trails of a mountainous park, who finds a dead body in the middle of nowhere and is given orders to guard the scene, facing down all her worst fears. Roxanne is currently working on a remake of Night of the Comet for Orion Pictures.

The movie that Roxanne has chosen to discuss is a giallo classic - The Red Queen Kills Seven Times by Emilio Miraglia. She and April go over all the tenants of the Italian giallo genre - the murder, the fashion, the blood! Roxanne talks about how giallo has influenced the way she works on her own films, and particularly, how she crafts her kills on screen. Plus she goes into detail on the production of her newest film, Body at Brighton Rock, and the "1980's TV movie" look she was going for. She and April also dissect the unfortunate prevalence of rape in the horror genre, and how so often it's disturbingly used as a device to titillate.

You can check out Body at Brighton Rock streaming now.

If you haven't seen it yet, go watch The Red Queen Kills Seven Times.

With April Wolfe and Roxanne Benjamin.

You can let us know what you think of Switchblade Sisters on Twitter or Facebook.

Or email us at switchbladesisters@maximumfun.org.

Produced by Casey O'Brien and Laura Swisher for MaximumFun.org.

Who Shot Ya? Episode 87: 'Avengers: Endgame' and Fond Farewells

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Show: 
Who Shot Ya?

Avengers: Endgame

In this episode, the gang says "auf wiedersehen" to two beloved powerhouses - The Avengers, and more importantly, our beloved host Ricky Carmona. But don't worry, this is a fond farewell, with Ricky bringing that Bustelo-fueled Carmona Energy. Plus, the gang answers several calls from the Who Shot Line. And, as always, staff picks.

In news, RIP John Singleton, director Dee Rees sheds some light on "discrimanatory theater practices," and repertory theaters are worried about Fox's film library under Disney ownership.

Staff Picks:

Alonso - Howards End
Drea - Knock Down The House
April - Be Natural: The Untold Story of Alice Guy-Blaché
Ricky - Sneakers, The Night of the Hunter, Mission: Impossible - Rogue Nation, Interview with the Vampire, Strangers on a Train, Invasion of the Body Snatchers, All About Eve, John Wick: Chapter 2.

With Alonso Duralde, Drea Clark, April Wolfe, and Ricky Carmona.

You can let us know what you think of Who Shot Ya? on Twitter or Facebook. Or email us at whoshotya@maximumfun.org

Call us on the "Who Shotline" - WSY-803-1664

Produced by Casey O'Brien and Laura Swisher for MaximumFun.org.

Switchblade Sisters Episode 78: 'Mulholland Drive' with 'Wild Nights with Emily' Director Madeleine Olnek

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Guests: 
Madeleine Olnek

Mulholland Drive

Madeleine Olnek is a New York City based playwright and filmmaker. She began her career with award-winning and widely screened comedy shorts. ​Countertransference ​(2009) and Hold Up ​(2006) were official selections of Sundance, while ​Make Room For Phyllis ​(2007) premiered at Sarasota. Olnek was also awarded best female short film director at Sundance in 2009 by LA’s Women In Film organization. Her debut feature, ​Codependent Lesbian Space Alien Seeks Same, told the story of three lesbian space aliens who come to Earth, and one of them falls in love with an earthling. It ​premiered at Sundance 2011 and is now translated into eleven languages. Her second feature, ​The Foxy Merkins,​ is a kind of buddy-comedy homage about two lesbian prostitutes. She is one of the authors of The Practical Handbook for The Actor (with a foreword by David Mamet), a widely used acting textbook. And now she’s back with her third feature, Wild Nights with Emily, a perhaps more truthful yet comic telling of the life of Emily Dickinson, starring Molly Shannon as the eponymous poet. Madeleine was awarded the Guggenheim Fellowship for the completion of the film, so it is a BIG DEAL.

The movie that Madeleine has chosen to discuss is one that she calls a "masterpiece." That would be David Lynch's Mulholland Drive. Madeleine likens the film to The Bible in that there are many interpretations that are applicable across generations. She discusses how she is personally connected to the film and how she felt that it truly mirrored her own life. Madeleine even dons David Lynch "our great poet of filmmaking" and explains why this film (and Inland Empire) are his greatest poems. She also discusses why she cast Molly Shannon in her newest film, Wild Nights with Emily. And how most literary adaptations do not properly portray the true words and feelings of a piece of literature. She ends the conversation with explaining why artists have the moral obligation to put humor in their work, and how making a straight drama is not a creative choice.

You can check out Wild Night with Emily in theaters now.

If you haven't seen it yet, go watch Mulholland Drive.

With April Wolfe and Madeleine Olnek.

You can let us know what you think of Switchblade Sisters on Twitter or Facebook.

Or email us at switchbladesisters@maximumfun.org.

Produced by Casey O'Brien and Laura Swisher for MaximumFun.org.

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