The Album: Pretty In Pink Soundtrack (1986)
Actress and comedian Eliza Skinner is part of the brand new Maximum Fun scripted comedy show, Bubble, and hosts her own music podcast, Cool Playlist. For her guest spot on Heat Rocks, she wanted to revisit one of the iconic soundtracks of the 1980s: Pretty in Pink. The film is a key part of the John Hughes pantheon, alongside The Breakfast Club, 16 Candles and Ferris Bueller's Day Off and arguably boasts the most storied soundtrack of all of them, including now-classics that were written expressly for the film such as OMD's "If You Leave" and Echo and Bunnymen's "Bring On the Dancing Horses," and of course, the reworked, sax-ified version of the Psychedelic Furs' "Pretty In Pink."
Eliza and us discussed how soundtracks can create an invented nostalgia for a time we never knew, what lesser known tracks off this album still bump, and why Ducky really didn't deserve to belong with Andie.
(That said, Ducky did kill it during his "Try a Little Tenderness" scene)
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Show Tracklisting (all songs from Pretty In Pink unless indicated otherwise):
Here's the Spotify playlist of as many of the songs above as we can find on there.
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The album: Kraftwerk: Computer World (1981)
When we invited L.A.'s own Nite Jewel to join us, it probably shouldn't have been a surprise that she picked Kraftwerk's Computer World; after all, she's toured the world performing the album. In sitting down with us, NJ (aka Ramona Gonzalez) broke down how she first became obsessed with the album, walking the streets of Berkeley, thinking about German philosophy (no, really!) and why the LP is such a masterpiece of fusing a variety of musical elements all colliding in the early 1980s.
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Show Tracklisting (all songs from Computer World unless indicated otherwise):
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Andrew Noz joins us this week to share a couple of his current favorite rap tracks. His first pick is Mouse On Tha Track's smooth and mellow "Get High Get Loaded," featuring Fiend. His second recommendation is Mystikal's incredible new song "Hit Me."
Andrew Noz is the proprietor of the blog Cocaine Blunts, and he writes about hip hop for Pitchfork, the Fader, and Hip Hop Pit Stop.
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Aimee Mann rose to prominence in the 80s with the success of her new wave band 'Til Tuesday's single, "Voices Carry," but she found the limelight uncomfortable. Tired of contending with record companies' attempts to pigeonhole her and her work, Aimee struck out on her own. She joins us this week to discuss that transition from frontwoman to solo artist, the stresses of fame, and coping with uncertainty at a time in her life when she thought she would have had everything figured out.
Aimee's new album, Charmer, is available now.
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2013 is a whole new year chock full of things that want ranking -- who has the time to tackle that task? Fortunately, we have Jordan Morris to tell us what's what!
Jordan Morris co-hosts the podcast Jordan, Jesse, Go!, stars in the YouTube series Game Shop, and tweets at @Jordan_Morris.
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Seth Godin is best known as a marketing guru, but he brings far more compassion and genuine insight to his work than the title might lead you to expect. And his observations aren't just valuable for CEOs. He makes his work for content creators operating on every scale. He joins us this week to delve into the "assets that matter" -- the qualities and values critical to creating great, meaningful work.
Seth Godin's new books are V Is for Vulnerable: Life Outside the Comfort Zone, The Icarus Deception: How High Will You Fly?, and Whatcha Gonna Do with That Duck?.
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Trickery and deception are featured prominently in some of Orson Welles's finest works, so it is fitting that the existence of an objective truth and its relative importance is most thoroughly explored in Welles's final major film, F for Fake. Part documentary, part film essay, F for Fake features tricks and truths layered atop each other, creating a mesmerizing narrative.